A musicology of performance : theory and method based on Bach's solos for violin /

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"This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J.S...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fabian, Dorottya (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK : Open Book Publishers, 2015.
Temas:
Bach, Johann Sebastian, > 1685-1750 > Criticism and interpretation.
Bach, Johann Sebastian, > 1685-1750
1700-1799
Sonatas (Violin) > 18th century.
Violin > Performance.
Music > Performance.
Music > Performance > Philosophy and aesthetics.
Performance practice (Music)
Musique > Exécution.
Violon > Exécution.
Sonates (Violon) > 18e siècle.
Musique > Exécution > Philosophie et esthétique.
Pratique de l'exécution (Musique)
Classical music (c 1750 to c 1830)
Individual composers and musicians, specific bands and groups.
Music.
Music: styles and genres.
The arts.
Theory of music and musicology.
Western "classical" music.
MUSIC > Individual Composer & Musician.
Music > Performance
Sonatas (Violin)
Violin > Performance
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 1. Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance
  • 1.2. Summary: Recordings, Aims and Method
  • 2. Theoretical Matters. 2.1. Cultural Theories
  • 2.2. Analytical Theories
  • 2.3. Music Performance and Complex Systems
  • 2.4. Performance Studies, Oral Culture and Academia
  • 2.5. Conclusion
  • 3. Violinists, Violin Schools and Emerging Trends
  • 3.1. Violinists
  • 3.2. Violin Schools
  • 3.3. The Influence of HIP on MSP
  • 3.4. Diversity within Trends and Global Styles
  • 3.5. Overall Findings and Individual Cases
  • 3.6. Conclusion
  • 4. Analyses of Performance Features. 4.1. Tempo Choices
  • 4.2. Vibrato
  • 4.3. Ornamentation
  • 4.4. Rhythm
  • 4.5. Bowing, Articulation and Phrasing
  • 4.6. Conclusions
  • 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles
  • 5.2. Multiple Recordings of Violinists
  • 5.3. The Holistic Analysis of Interpretations
  • 5.4. Idiosyncratic Versions and Listeners' Reactions
  • 5.5. Conclusions
  • 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary
  • 6.2. Where to from Here?
  • Epilogue
  • List of Audio Examples
  • List of Tables
  • List of Figures
  • Discography
  • References
  • Index.

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