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Screen genealogies : from optical device to environmental medium /

Against the grain of the growing literature on screens, 'Screen Genealogies' argues that the present excess of screens cannot be understood as an expansion and multiplication of the movie screen, nor of the video display. Rather, screens continually exceed the optical histories in which th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Buckley, Craig (Editor ), Campe, Rüdiger (Editor ), Casetti, Francesco (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2019]
Colección:MediaMatters.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Screen genealogies :  |b from optical device to environmental medium /  |c edited by Craig Buckley, Rüdiger Campe, and Francesco Casetti. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2019] 
300 |a 1 online resource (327 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
520 8 |a Against the grain of the growing literature on screens, 'Screen Genealogies' argues that the present excess of screens cannot be understood as an expansion and multiplication of the movie screen, nor of the video display. Rather, screens continually exceed the optical histories in which they are most commonly inscribed. As contemporary screens become increasingly decomposed into a distributed field of technologically interconnected surfaces and interfaces, we more readily recognize the deeper spatial and environmental interventions that have long been a property of screens. For most of its history, a screen was a filter, a divide, a shelter, or a camouflage. An intermedial genealogy stressing transformation and descent rather than origins and roots emphasizes that the understanding of the screen as optical surface was but one instance in a larger set of intersecting and competing definitions. 
588 0 |a Print version record. 
546 |a English. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Introduction --  |t 1. Primal Screens --  |t 2. 'Schutz und Schirm': Screening in German During Early Modern Times --  |t 3. Face and Screen: Toward a Genealogy of the Media Façade --  |t 4. Sensing Screens: From Surface to Situation --  |t 5. 'Taking the Plunge': The New Immersive Screens --  |t 6. The Atmospheric Screen: Turner, Hazlitt, Ruskin --  |t 7. The Fog Medium: Visualizing and Engineering the Atmosphere --  |t 8. The Charge of a Light Barricade: Optics and Ballistics in the Ambiguous Being of Screens --  |t 9. Flat Bayreuth: A Genealogy of Opera as Screened --  |t 10. Imaginary Screens: The Hypnotic Gesture and Early Film --  |t 11. Material. Human. Divine. Notes on the Vertical Screen --  |t Acknowledgments --  |t Index 
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650 0 |a Visual communication. 
650 0 |a Digital communications. 
650 0 |a Information display systems. 
650 2 |a Data Display 
650 6 |a Communication visuelle. 
650 6 |a Transmission numérique. 
650 6 |a Affichage (Technique) 
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650 7 |a Digital lifestyle.  |2 bicssc 
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650 7 |a Digital communications  |2 fast 
650 7 |a Information display systems  |2 fast 
650 7 |a Visual communication  |2 fast 
653 |a Screens, Media Archeology, Environmental Media, Visual Studies,. 
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700 1 |a Buckley, Craig,  |e editor. 
700 1 |a Campe, Rüdiger,  |e editor. 
700 1 |a Casetti, Francesco,  |e editor. 
776 0 8 |i Print version:  |t Screen genealogies.  |d Amsterdam : Amsterdam University Press, [2019]  |z 9463729003  |w (OCoLC)1105944213 
830 0 |a MediaMatters. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvs32t6s  |z Texto completo 
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