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From song to book : the poetics of writing in Old French lyric and lyrical narrative poetry /

As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-cent...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Huot, Sylvia
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 1987.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 1501746685 
020 |z 0801419220 (alk. paper) 
020 |a 9781501746673  |q (electronic bk.) 
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024 7 |a 10.7591/9781501746673  |2 doi 
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037 |a 22573/ctvn7ggw2  |b JSTOR 
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072 7 |a LIT  |x 004150  |2 bisacsh 
082 0 0 |a 841/.1/09  |2 19 
049 |a UAMI 
100 1 |a Huot, Sylvia. 
245 1 0 |a From song to book :  |b the poetics of writing in Old French lyric and lyrical narrative poetry /  |c Sylvia Huot. 
260 |a Ithaca :  |b Cornell University Press,  |c 1987. 
300 |a 1 online resource (x, 372 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Bibliography: p. 351-364. 
500 |a Includes index. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgments /  |r Huot, Sylvia --  |t Introduction --  |t Part One: On the Nature of the Book in the Thirteenth and Fourteenth Centuries --  |t Part Two: Lyricism and the Book in the Thirteenth Century --  |t Part Three: Lyricism and the Book in the Fourteenth Century --  |t Conclusion --  |t Appendix A: The Rubrication of Guillaume de Lorris in MS Bibl. Nat. fr. 378 --  |t Appendix B: Table of Miniatures in Selected Texts by Machaut, MSS Bibl. Nat. fr. 1584 and 1586 --  |t Appendix C : Excerpt from an Unedited Volume of Le Roman de Perceforest, MS Bibl. Nat. fr. 346 --  |t Bibliography of Works Cited --  |t Index 
520 |a As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a French poetry  |y To 1500  |x History and criticism. 
650 0 |a Songs, French  |x History and criticism. 
650 0 |a Narrative poetry, French  |x History and criticism. 
650 0 |a French poetry  |y To 1500  |x Manuscripts. 
650 0 |a Manuscripts, French  |x History. 
650 0 |a Books  |z France  |x History  |y 400-1450. 
650 0 |a Scriptoria  |z France  |x History. 
650 0 |a Poetry  |x Editing. 
650 0 |a Manuscripts, Medieval  |z France  |x History. 
650 0 |a Books  |z France  |x History. 
650 0 |a Scriptoria  |z France  |x History  |y To 1500. 
650 6 |a Poésie française  |y Jusqu'à 1500  |x Histoire et critique. 
650 6 |a Chansons françaises  |x Histoire et critique. 
650 6 |a Poésie française  |y Jusqu'à 1500  |x Manuscrits. 
650 6 |a Livres  |z France  |x Histoire. 
650 6 |a Scriptoriums  |z France  |x Histoire  |y 500-1500 (Moyen Âge) 
650 6 |a Poésie  |v Éditions. 
650 6 |a Manuscrits médiévaux  |z France  |x Histoire. 
650 6 |a Poésie narrative française  |x Histoire et critique. 
650 6 |a Manuscrits français  |x Histoire. 
650 6 |a Livres  |z France  |x Histoire  |y 400-1450. 
650 6 |a Scriptoriums  |z France  |x Histoire. 
650 6 |a Poésie  |x Édition. 
650 7 |a LITERARY CRITICISM  |x Medieval.  |2 bisacsh 
650 7 |a Books  |2 fast 
650 7 |a French poetry  |2 fast 
650 7 |a Manuscripts, French  |2 fast 
650 7 |a Manuscripts, Medieval  |2 fast 
650 7 |a Narrative poetry, French  |2 fast 
650 7 |a Poetry  |x Editing  |2 fast 
650 7 |a Scriptoria  |2 fast 
650 7 |a Songs, French  |2 fast 
651 7 |a France  |2 fast 
650 1 7 |a Lyriek.  |2 gtt 
650 1 7 |a Franse handschriften.  |2 gtt 
648 7 |a To 1500  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Manuscripts  |2 fast 
776 0 8 |i Print version:  |t From song to book  |d Ithaca : Cornell University Press, 1987.  |z 0801419220 (alk. paper)  |w (DLC) 87047547 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7591/j.ctvn96fz1  |z Texto completo 
938 |a Project MUSE  |b MUSE  |n muse77947 
994 |a 92  |b IZTAP