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Music and levels of narration in film : steps across the border /
This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK ; Chicago, USA :
Intellect,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Heldt, Guido, |e author. | |
| 245 | 1 | 0 | |a Music and levels of narration in film : |b steps across the border / |c Guido Heldt. |
| 264 | 1 | |a Bristol, UK ; |a Chicago, USA : |b Intellect, |c [2013] | |
| 300 | |a 1 online resource (x, 290 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 380 | |a Filmography | ||
| 504 | |a Includes bibliographical references (pages 249-260) and index. | ||
| 505 | 0 | |a Introduction: film music narratology -- The conceptual toolkit: music and levels of narration -- Breaking into song? Hollywood musicals (and after) -- Things that go bump in the mind: horror films -- Beyond the moment: long-range musical strategies -- The future's not ours to see: outlook -- Filmography and index of films (pages 263-273). | |
| 588 | 0 | |a Online resource; title from PDF title page (viewed on 11/19/2020). | |
| 520 | |a This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them. | ||
| 542 | 1 | |f This work is licensed by Knowledge Unlatched under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 0 | |a Motion pictures and music |x History. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Motion pictures and music. |2 fast |0 (OCoLC)fst01027416 | |
| 650 | 7 | |a Motion picture music. |2 fast |0 (OCoLC)fst01027201 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Heldt, Guido. |t Music and levels of narration in film : steps across the border. |d Bristol, UK ; Chicago, USA : Intellect, [2013] |z 9781841506258 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv9hj7vv |z Texto completo |
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