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Middlebrow matters : women's reading and the literary canon in France since the Belle Époque /
Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to 'high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic drive of the popular,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Liverpool :
Liverpool University Press,
2018.
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| Colección: | Contemporary French and francophone cultures.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Holmes, Diana, |d 1949- |e author. | |
| 245 | 1 | 0 | |a Middlebrow matters : |b women's reading and the literary canon in France since the Belle Époque / |c Diana Holmes. |
| 264 | 1 | |a Liverpool : |b Liverpool University Press, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (viii, 244 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Contemporary French and francophone cultures ; |v 57 | |
| 504 | |a Includes bibliographical references (pages 223-237) and index. | ||
| 505 | 0 | |a Introduction -- Reclaiming the middlebrow -- The birth of French middlebrow -- Colette : the middlebrow modernist -- Interwar France : the case of the missing middlebrow -- The 'little world' of Françoise Sagan -- Literary prizes, women and the middlebrow -- Realism, romance and self-reflexivity : twenty-first-century middlebrow -- Conclusion : Marie NDiaye's femme puissante : a double reading. | |
| 520 | |a Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to 'high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic drive of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the nation's reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle Epoque, inter-war, early twenty-first century), authors (including Colette, Irene Nemirovsky, Francoise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes. | ||
| 542 | 1 | |f This work is licensed by Knowledge Unlatched under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 542 | 1 | |f This work is licensed under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
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| 650 | 0 | |a Feminism in literature. | |
| 650 | 0 | |a French fiction |x Women authors |x History and criticism. | |
| 650 | 0 | |a French fiction |y 20th century |x History and criticism. | |
| 650 | 0 | |a Social classes in literature. | |
| 650 | 0 | |a Women and literature |z France |x History |y 20th century. | |
| 650 | 0 | |a Women |z France |x Social conditions |y 20th century. | |
| 650 | 6 | |a Féminisme dans la littérature. | |
| 650 | 6 | |a Roman français |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Classes sociales dans la littérature. | |
| 650 | 6 | |a Femmes et littérature |z France |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes |z France |x Conditions sociales |y 20e siècle. | |
| 650 | 7 | |a Literary studies: fiction, novelists & prose writers. |2 bicssc | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x French. |2 bisacsh | |
| 650 | 7 | |a Feminism in literature |2 fast | |
| 650 | 7 | |a French fiction |x Women authors |2 fast | |
| 650 | 7 | |a French fiction |2 fast | |
| 650 | 7 | |a Social classes in literature |2 fast | |
| 650 | 7 | |a Women and literature |2 fast | |
| 650 | 7 | |a Women |x Social conditions |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 650 | 7 | |a Literature. |2 ukslc | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Languages | ||
| 653 | |a Literary studies | ||
| 653 | |a fiction | ||
| 653 | |a novelists & prose writers | ||
| 653 | |a France | ||
| 653 | |a English | ||
| 653 | |a French | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Holmes, Diana, 1949- |t Middlebrow matters. |d Liverpool Liverpool University Press 2018 |z 1786941562 |w (OCoLC)1033530958 |
| 830 | 0 | |a Contemporary French and francophone cultures. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvt1sk8w |z Texto completo |
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