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Impersonations : the artifice of Brahmin masculinity in South Indian dance /

"Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kamath, Harshita Mruthinti, 1982- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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082 0 4 |a 306.4/846081109548  |2 23 
049 |a UAMI 
100 1 |a Kamath, Harshita Mruthinti,  |d 1982-  |e author. 
245 1 0 |a Impersonations :  |b the artifice of Brahmin masculinity in South Indian dance /  |c Harshita Mruthinti Kamath. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (xv, 225 pages) :  |b illustrations, maps 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file 
504 |a Includes bibliographical references and index. 
505 0 |a Occupying center stage : impersonation and the classicization of Kuchipudi -- "I am Satyabhama" : constructing hegemonic brahmin masculinity in the Kuchipudi village -- Constructing artifice, interrogating impersonation : Madhavi as vidūṣaka in village Bhamakalapam performance -- Bhamakalapam beyond the village : transgressing norms of gender and sexuality in urban and transnational Kuchipudi dance -- Longing to dance : stories of Kuchipudi brahmin women. 
520 |a "Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic brahmin masculinity in everyday village life. However, the power of the brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, brahmin to non-brahmin, hegemonic to non-normative--to explore the artifice of brahmin masculinity in contemporary South Indian dance"--Provided by publisher 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Brahmans  |z India, South  |x Social life and customs. 
650 0 |a Gender identity in dance  |z India, South. 
650 0 |a Female impersonators  |z India, South  |x Social life and customs. 
650 0 |a Kuchipudi (Dance)  |x Social aspects  |z India, South. 
650 6 |a Brahmanes  |z Inde (Sud)  |x Mœurs et coutumes. 
650 6 |a Identité de genre dans la danse  |z Inde (Sud) 
650 6 |a Acteurs travestis  |z Inde (Sud)  |x Mœurs et coutumes. 
650 6 |a Kuchipudi  |x Aspect social  |z Inde (Sud) 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x General.  |2 bisacsh 
650 7 |a Brahmans  |x Social life and customs  |2 fast 
650 7 |a Gender identity in dance  |2 fast 
651 7 |a South India  |2 fast 
653 |a 20th century. 
653 |a brahmin to non brahmin. 
653 |a female characters. 
653 |a gender performance. 
653 |a hindu religious narratives. 
653 |a impersonation. 
653 |a kuchipudi village. 
653 |a localized village performance. 
653 |a male body. 
653 |a masculinity. 
653 |a men. 
653 |a practice of impersonation. 
653 |a smarta brahmin. 
653 |a south india. 
653 |a stage. 
653 |a stri vesham. 
653 |a telugu. 
653 |a transnational indian dance form. 
653 |a village to urban. 
776 0 8 |i Print version:  |a Kamath, Harshita Mruthinti, 1982-  |t Impersonations.  |d Oakland, California : University of California Press, [2019]  |z 9780520301665  |w (DLC) 2018061418 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr7fdjz  |z Texto completo 
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