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|a UAMI
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|a Kamath, Harshita Mruthinti,
|d 1982-
|e author.
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|a Impersonations :
|b the artifice of Brahmin masculinity in South Indian dance /
|c Harshita Mruthinti Kamath.
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|a Oakland, California :
|b University of California Press,
|c [2019]
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|c ©2019
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|a 1 online resource (xv, 225 pages) :
|b illustrations, maps
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
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|a Includes bibliographical references and index.
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|a Occupying center stage : impersonation and the classicization of Kuchipudi -- "I am Satyabhama" : constructing hegemonic brahmin masculinity in the Kuchipudi village -- Constructing artifice, interrogating impersonation : Madhavi as vidūṣaka in village Bhamakalapam performance -- Bhamakalapam beyond the village : transgressing norms of gender and sexuality in urban and transnational Kuchipudi dance -- Longing to dance : stories of Kuchipudi brahmin women.
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|a "Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic brahmin masculinity in everyday village life. However, the power of the brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, brahmin to non-brahmin, hegemonic to non-normative--to explore the artifice of brahmin masculinity in contemporary South Indian dance"--Provided by publisher
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a JSTOR
|b Books at JSTOR Open Access
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Brahmans
|z India, South
|x Social life and customs.
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|a Gender identity in dance
|z India, South.
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|a Female impersonators
|z India, South
|x Social life and customs.
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650 |
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|a Kuchipudi (Dance)
|x Social aspects
|z India, South.
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650 |
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|a Brahmanes
|z Inde (Sud)
|x Mœurs et coutumes.
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650 |
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|a Identité de genre dans la danse
|z Inde (Sud)
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650 |
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|a Acteurs travestis
|z Inde (Sud)
|x Mœurs et coutumes.
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|a Kuchipudi
|x Aspect social
|z Inde (Sud)
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650 |
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|a SOCIAL SCIENCE
|x Anthropology
|x General.
|2 bisacsh
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|a Brahmans
|x Social life and customs
|2 fast
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|a Gender identity in dance
|2 fast
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|a South India
|2 fast
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|a 20th century.
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|a brahmin to non brahmin.
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|a female characters.
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|a gender performance.
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|a hindu religious narratives.
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|a impersonation.
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|a kuchipudi village.
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|a localized village performance.
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|a male body.
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|a masculinity.
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|a men.
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|a practice of impersonation.
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|a smarta brahmin.
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|a south india.
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|a stage.
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|a stri vesham.
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|a telugu.
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|a transnational indian dance form.
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|a village to urban.
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|i Print version:
|a Kamath, Harshita Mruthinti, 1982-
|t Impersonations.
|d Oakland, California : University of California Press, [2019]
|z 9780520301665
|w (DLC) 2018061418
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr7fdjz
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6984274
|
938 |
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|a De Gruyter
|b DEGR
|n 9780520972230
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994 |
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|a 92
|b IZTAP
|