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Powers of divergence : an experimental approach to music performance /
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performanc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
[2018]
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| Colección: | Orpheus Institute series.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: BOOK I Description the Unspeakable Body
- 1. The Problem of Resemblance
- 2. Beyond Improvisation
- 3.A Series of Anamorphic Glances
- 4. On Methodology
- 5. Phonographic Writing
- 6. The Phantasmic Image of the Musical Work
- 7. The Vectors of the Body
- 8. The Musical Work as a "Manifold"
- 9.A Peripheral Instrument
- 10. Modes of Exposition
- Appendix 1 Techniques of Minoration
- Appendix 2 List of Musical Examples
- Closing Remarks
- References
- Biographical Note
- BOOK II Derivates
- BOOK III Five Glances upon the practice
- Derivative I On Three Different (Musical) Eyes
- Derivative II The Phonocentric Vision of Music
- First Glance
- Derivative III An Eye That Sees Itself
- Derivative IV The Joyous Power of Simulacra
- Derivative V How to Defy Perspective through Perspective
- Derivative VI Automaton
- Derivative VII How to Produce a Phantasm? Part I: Gian Lorenzo Bernini
- Second Glance
- Note continued: Derivative VIII How to Produce a Phantasm? Part II: Francis Bacon
- Derivative IX How to Produce a Phantasm? Part III: Salvatore Sciarrino
- Derivative X How to Produce a Phantasm? Part IV: Carmelo Bene
- Third Glance
- Fourth Glance.