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The message is murder : substrates of computational capital /

Written as a wake-up call to the field of media studies, The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Beller, Jonathan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Pluto Press, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Beller, Jonathan,  |e author. 
245 1 4 |a The message is murder :  |b substrates of computational capital /  |c Jonathan Beller. 
264 1 |a London :  |b Pluto Press,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (208 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (pages 190-202) and index. 
520 |a Written as a wake-up call to the field of media studies, The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. It argues that the global intensification of inequality relies on the discursive, informatic and screen-mediated production of social difference. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal --  |c Publisher's web site. 
505 0 |a Introduction -- Part I: Informatics of inscription/inscription of informatics -- 1. Gramsci's press : why we game -- 2. A message from Borges : the informatic labyrinth -- 3. Alan Turing's self-defence : on not castrating the machines -- 4. Shannon/Hitchcock : another method for the letters -- 5. The internet of value, by Karl Marx : information as cosmically distributed alienation -- Part II: Photo-graphology, psychotic calculus, informatic labor -- 6. Camera obscura after all : the racist writing with light -- 7. Pathologistics of attention -- 8. Prosthetics of whiteness : drone psychosis -- 9. The capital of information : fractal fascism, informatic labor, and M-I-M -- Appendix: From the cinematic mode of production to computational capital : an interview conducted by Ante Jeric and Diana Meheik for Kulturpunk -- Notes -- Index. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Open Access 
650 0 |a Mass media  |x Social aspects. 
650 0 |a Violence in mass media. 
650 0 |a Digital media  |x Social aspects. 
650 0 |a Capitalism  |x Social aspects. 
650 6 |a Médias  |x Aspect social. 
650 6 |a Violence dans les médias. 
650 6 |a Médias numériques  |x Aspect social. 
650 7 |a Media studies.  |2 bicssc 
650 7 |a Society and culture : general.  |2 bicssc 
650 7 |a Society and social sciences Society and social sciences.  |2 bicssc 
650 7 |a COMPUTERS  |x Computerized Home & Entertainment.  |2 bisacsh 
650 7 |a Capitalism  |x Social aspects  |2 fast 
650 7 |a Digital media  |x Social aspects  |2 fast 
650 7 |a Mass media  |x Social aspects  |2 fast 
650 7 |a Violence in mass media  |2 fast 
776 0 8 |i Print version:  |z 9780745337319 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1x07z9t  |z Texto completo 
994 |a 92  |b IZTAP