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|a 10.1163/9789004329768.
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|a Dramatic experience :
|b the poetics of drama and the early modern public sphere(s) /
|c edited by Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat.
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|a 1612
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|a Leiden ;
|a Boston :
|b Brill,
|c [2016]
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|a Drama and theatre in early modern Europe ;
|v 6
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|a Includes bibliographical references and index.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|t Preliminary Material --
|t Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) --
|t 1 Opening Spaces for the Reading Audience: Fernando de Rojas's Celestina (1499/1502) and Niccolò Machiavelli's Mandragola (1518) /
|r Sven Thorsten Kilian --
|t 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools' Play in the Italian Renaissance Comedy Gl'Ingannati (1532) /
|r Katja Gvozdeva --
|t 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri's and Ottavio Rinuccini's Euridice (1600) /
|r Déborah Blocker --
|t 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court /
|r Wendy Heller --
|t 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi's L'Amore delle tre melarance /
|r Tatiana Korneeva --
|t 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France /
|r Logan J. Connors --
|t 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) /
|r Kirill Ospovat --
|t 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen's Martyr Drama in Context /
|r Nigel Smith --
|t 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre /
|r Hans Rudolf Velten --
|t 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol /
|r Toni Bernhart --
|t 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603-1868) /
|r Stanca Scholz-Cionca --
|t Index.
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|a In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience -- among both theatregoers and readers of drama -- contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call 'public sphere(s)'? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the 'public' existed in a variety of forms, locations, and cultures across early modern Europe -- and in Asia.
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|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Open Access
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|a Theater and society.
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|a Theater audiences.
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|a Theater
|x History
|y 16th century.
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|a Theater
|x History
|y 17th century.
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|a Theater
|x History
|y 18th century.
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|a Théâtre et société.
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|a Théâtre
|x Publics.
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|a Théâtre
|x Histoire
|y 16e siècle.
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|a Théâtre
|x Histoire
|y 17e siècle.
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|a Théâtre
|x Histoire
|y 18e siècle.
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|a HISTORY
|x General.
|2 bisacsh
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|a Theater
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|a Theater and society
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|a Gvozdeva, Katja,
|d 1965-
|e editor.
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|a Korneeva, Tatiana,
|e editor.
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|a Ospovat, Kirill,
|e editor.
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|i Print version:
|t Dramatic experience.
|d Leiden ; Boston : Brill, [2016]
|z 9789004329751
|w (DLC) 2016039099
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|a Drama and theatre in early modern Europe ;
|v 6.
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|u https://jstor.uam.elogim.com/stable/10.1163/j.ctt1w76w7w
|z Texto completo
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|a 92
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