Constructions of Cultural Identities in Newsreel Cinema and Television after 1945.

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Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Imesch, Kornelia
Formato: Electrónico eBook
Idioma:Inglés
Publicado: transcript Verlag, 2016.
Colección:MedienAnalysen ; Bd. 17.
Temas:
Motion picture theaters.
Media studies.
Society and culture: general.
Society and social sciences Society and social sciences.
PERFORMING ARTS > Reference.
SOCIAL SCIENCE > Media Studies.
Media & Communications.
Newsreel.
Film.
Television.
Archive.
National Identity.
Cultural Identity.
Contemporary Art.
Media.
Cultural History.
Media History.
Media Studies.
Congress
Conference papers and proceedings.
Criticism, interpretation, etc.
History.
Actes de congrès.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover. Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 ; Contents ; Constructions of Cultural Identities in Newsreel Cinema and Television after 1945. Introduction; PART 1: CONSTRUCTIONS OF CULTURAL IDENTITIES IN NEWSREEL ; The Politics of Archives. Media, Power, and Identity.
  • The Visual Memory of the Cold War. The Long Afterlife of the FOX TÖNENDE WOCHENSCHAU Newsreels on the Building of the Berlin Wall Art Exhibitions through Newsreels. An Avatar for Identity Politics (1945-1960) ; PART 2: ART AND CULTURE IN NEWSREEL, CINEMA, AND TELEVISION.
  • Jean Tinguely & Le Corbusier in Swiss Weekly Film Newsreels and Television. Medial Rhetorics-Medial Discourses Fiction and Newsreel Documentary in Godard's Cinema ; Between Migration and Integration. Representing Religious Boundaries in Swiss Documentaries.
  • Re-marking of Differences: Culture Television and Art interplaying. Variability of Cultural Magazines and their Heterogeneous Dispositions Constructing an Emancipated Culture of Art Spectatorship? The Ambiguity of Ben Lewis's Reportage-Series ART SAFARI (2003-2006) ; Authors.

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