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|a UAMI
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|a Nehl, Markus.
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|a Transnational Black Dialogues :
|b Re-Imagining Slavery in the Twenty-First Century.
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|a Bielefeld, GERMANY :
|b Transcript Verlag,
|c 2016.
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|a 1 online resource (213)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
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|a Postcolonial studies ;
|v volume 28
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|a Print version record.
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|a Cover. Transnational Black Dialogues ; Contents ; Acknowledgements ; Introduction: Slavery-An "Unmentionable" Past? ; 1. The Concept of the African Diaspora and the Notion of Difference ; 2. From Human Bondage to Racial Slavery: Toni Morrison's A Mercy (2008).
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|a 3. Rethinking the African Diaspora: Saidiya Hartman's Lose Your Mother (2007) 4. "Hertseer:" Re-Imagining Cape Slavery in Yvette Christiansë's Unconfessed (2006) ; 5. Transnational Diasporic Journeys in Lawrence Hill's The Book of Negroes (2007).
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|a 6. A Vicious Circle of Violence: Revisiting Jamaican Slavery in Marlon James's The Book of Night Women (2009) Epilogue: The Past of Slavery and "the Incomplete Project of Freedom" ; Works Cited.
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|a Markus Nehl focuses on black authors who, from a 21st-century perspective, revisit slavery in the U.S., Ghana, South Africa, Canada and Jamaica. Nehl's provocative readings of Toni Morrison's A Mercy, Saidiya Hartman's Lose Your Mother, Yvette Christiansë's Unconfessed, Lawrence Hill's The Book of Negroes and Marlon James's The Book of Night Women delineate how these texts engage in a fruitful dialogue with African diaspora theory about the complex relation between the local and transnational and the enduring effects of slavery. Reflecting on the ethics of narration, this study is particularly attentive to the risks of representing anti-black violence and to the intricacies involved in (re- )appropriating slavery's archive.
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|a Includes bibliographical references (pages 197-212).
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|f This work is licensed under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|f This work is licensed by Knowledge Unlatched under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|a Open Access
|5 EbpS
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|a In English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Open Access
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|a Slavery in literature.
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|a African diaspora in literature.
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|a Violence in literature.
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|a English literature
|x Black authors
|x History and criticism.
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|a English literature
|y 21st century
|x History and criticism.
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|a Esclavage dans la littérature.
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|a Africains
|z Pays étrangers, dans la littérature.
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|a Violence dans la littérature.
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|a Littérature anglaise
|x Auteurs noirs
|x Histoire et critique.
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|a History.
|2 bicssc
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|a History: specific events and topics.
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|a Humanities.
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|a National liberation and independence, post-colonialism.
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|a National liberation & independence, post-colonialism.
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a African diaspora in literature.
|2 fast
|0 (OCoLC)fst01902319
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|a English literature.
|2 fast
|0 (OCoLC)fst00911989
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|a English literature
|x Black authors.
|2 fast
|0 (OCoLC)fst00912006
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|a Slavery in literature.
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|0 (OCoLC)fst01120515
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|a Violence in literature.
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|0 (OCoLC)fst01167282
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|a 2000-2099
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|a African Diaspora Studies.
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|a America.
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|a American Studies.
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|a Anti-Black Violence.
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|a Black Feminist Studies.
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|a Canada.
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|a Cultural Studies.
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|a Ghana.
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|a Jamaica.
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|a Lawrence Hill.
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|a Marlon James.
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|a Memory Culture.
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|a Neo-Slave Narratives.
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|a Postcolonialism.
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|a Race.
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|a Saidiya Hartman.
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|a South Africa.
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|a Toni Morrison.
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|a U.S.A.
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|a Yvette Christiansë.
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|a Case studies.
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|a Criticism, interpretation, etc.
|2 fast
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|a Case studies.
|2 lcgft
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|a Études de cas.
|2 rvmgf
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|i Print version:
|a Nehl, Markus.
|t Transnational black dialogues : re-imagining slavery in the tTwenty-first century.
|d Bielefeld, [Germany] : transcript Verlag, ©2016
|h 212 pages
|k Postcolonial studies ; Volume 28
|z 9783837636666
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830 |
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|a Postcolonial studies ;
|v Bd. 28.
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856 |
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