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|a Schwärzler, Monika.
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|a At face value & beyond :
|b photographic constructions of reality /
|c Monika Schwärzler.
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|a At face value and beyond :
|b photographic constructions of reality
|
260 |
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|a [Bielefeld] :
|b Transcript Verlag,
|c 2016.
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300 |
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|a 1 online resource (187 pages) :
|b illustrations (some color)
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|a Image ;
|v volume 75
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|a Print version record.
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|a How to account for the peculiar attraction of certain photos? How to pinpoint the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis, as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.--
|c Provided by publisher.
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504 |
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|a Includes bibliographical references (pages 181-187).
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546 |
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|a In English; one paper translated from the original German.
|
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|t Frontmatter --
|t Acknowledgment --
|t Inhalt --
|t Introductory Remarks --
|t Conscious and Semi-Conscious States of the Camera: Comments on a History of Photographic Parapraxes --
|t Dressed to Suffer and Redeem: Staged Photography Featuring Biblical Narratives --
|t Blocked View and Impeded Vision: An Affective Response to the Photographs of Maria Hahnenkamp and Thomas Struth --
|t Unedited Glamor: The Vienna Opera Ball and Its Rendition by Network Cameras --
|t Lost in Pleasure: Mad Joy in Images of Youth Culture --
|t Death Can Wait: Images of Old Age and Dying in Austrian Hospice Campaigns --
|t "The Beast": On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Center in Geneva --
|t Denigrative Views: On the Deconstruction of Visages in Print Media --
|t The White Handbag: Photography and Ownership --
|t References.
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0 |
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|a Open Access
|5 EbpS
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Open Access
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600 |
1 |
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|a Struth, Thomas
|d 1954-
|2 gnd
|
650 |
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|a Photography
|x Appreciation.
|
650 |
|
0 |
|a Visual communication in art.
|
650 |
|
0 |
|a Photography, Artistic.
|
650 |
|
6 |
|a Photographie
|x Appréciation.
|
650 |
|
6 |
|a Communication visuelle dans l'art.
|
650 |
|
6 |
|a Photographie artistique.
|
650 |
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|a art photography.
|2 aat
|
650 |
|
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|a Media studies.
|2 bicssc
|
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|
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|a Society and culture: general.
|2 bicssc
|
650 |
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|a Society and social sciences Society and social sciences.
|2 bicssc
|
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|
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|a PHOTOGRAPHY
|x Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Photography
|x Appreciation.
|2 fast
|0 (OCoLC)fst01751992
|
650 |
|
7 |
|a Photography, Artistic.
|2 fast
|0 (OCoLC)fst01061964
|
650 |
|
7 |
|a Visual communication in art.
|2 fast
|0 (OCoLC)fst01168010
|
776 |
0 |
8 |
|i Print version:
|a Schwärzler, Monika.
|t At face value & beyond.
|d [Bielefeld] : Transcript Verlag, 2016
|w (DLC) 2016418357
|
830 |
|
0 |
|a Image (Transcript (Firm)) ;
|v v. 75.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1wxsf6
|z Texto completo
|
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|n 9783839429549
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938 |
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|a EBSCOhost
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|a ProQuest MyiLibrary Digital eBook Collection
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938 |
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|a OAPEN Foundation
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