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Itinerant Spectator/Itinerant Spectacle.
Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel to meet performances that travel. Itinerant Spectat...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico Software eBook |
| Idioma: | Inglés |
| Publicado: |
punctum Books
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000007 4500 | ||
|---|---|---|---|
| 001 | JSTOROA_ocn945782744 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
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| 008 | 150422s2013 xx o 000 u eng d | ||
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| 100 | 1 | |a P. A. Skantze. |4 aut | |
| 245 | 1 | 0 | |a Itinerant Spectator/Itinerant Spectacle. |
| 260 | |b punctum Books |c 2013. | ||
| 300 | |a 1 online resource (1 electronic resource (262 pages)) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 546 | |a English. | ||
| 520 | |a Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel to meet performances that travel. Itinerant Spectator/Itinerant Spectacle suggests spectating is a practice -- an act of interpretation engaged in more than simply receiving the affects of a performance, a companion practice to the making of performance. The work forms a part of Skantze's ongoing explorations of what she terms the 'epistemology of practice as research.' IS/IS theorizes spectating as a practice that extends beyond the theatre, as a practice of writing as recollecting (and recollecting as writing) at the center of what has been called "criticism." The book grounds spectatorship in the subjective, embodied, differenced practice of spectating not from a fixed location or standpoint but from a ground that constantly shifts, that is, from the ground of the roving positionalities of the "itinerate spectator." Following Walter Benjamin, for example, Skantze importantly adopts the privileges of the flaneur as a feminist and rather queer project, one that refuses to be tied to the minor position, to that of the impossible "flaneuse." | ||
| 505 | 0 | |a Introduction : weathered thresholds -- Satisfaction -- Sound -- Structures -- Senses -- States -- Epilogue. | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a The performing arts. Show business. | |
| 650 | 0 | |a Dramatic representation. The theater. | |
| 650 | 0 | |a Sociology (General) | |
| 650 | 0 | |a Dance. | |
| 650 | 2 | |a Dancing | |
| 650 | 6 | |a Danse. | |
| 650 | 7 | |a Theatre studies. |2 bicssc | |
| 650 | 7 | |a Performing Arts |x Theater. |2 bisacsh | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402 | |
| 650 | 7 | |a PERFORMING ARTS / Theater / History & Criticism |2 bisacsh | |
| 653 | |a art-practice, contemporary theatre, cultural studies, dance, nationalism, performance studies, Renaissance drama, sound, spectatorship | ||
| 655 | 4 | |b Electronic books. | |
| 730 | 0 | |a Directory of open access books. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/jj.2353873 |z Texto completo |
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