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The witching hour and other plays /

Nina Sadur, the playwright, occupies a prominent place in the Soviet/Russian drama pantheon of the 1980s and 1990s, a group that has with few exceptions been generally ignored by the Western literary establishment. The plays included in this volume offer some of Sadur's most influential works f...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sadur, Nina, 1950- (Autor)
Otros Autores: Peterson, Nadezhda L., 1951- (Editor , Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Ruso
Publicado: Boston : Academic Studies Press, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sadur, Nina,  |d 1950-  |e author. 
240 1 0 |a Plays.  |k Selections.  |l English 
245 1 4 |a The witching hour and other plays /  |c Nina Sadur ; edited by Nadya L. Peterson. 
264 1 |a Boston :  |b Academic Studies Press,  |c 2014. 
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504 |a Includes bibliographical references (page 202). 
546 |a Translated from Russian. 
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505 0 0 |t Introduction: Nina Sadur's fantastic theater /  |r by Mark Lipovetsky translated by Nadya L. Peterson --  |t Go! /  |r translated by Nadya L. Peterson --  |t Pechorin: in memoriam /  |r translated by Margarit T. Ordukhanyan --  |t Red Paradise /  |r translated by Nadya L. Peterson and Kathryn Szczepanska --  |t The witching hour /  |r translated by Anna Gordeychuk and Nadya L. Peterson --  |t Afterword /  |r by Karin Sarsenov. 
520 |a Nina Sadur, the playwright, occupies a prominent place in the Soviet/Russian drama pantheon of the 1980s and 1990s, a group that has with few exceptions been generally ignored by the Western literary establishment. The plays included in this volume offer some of Sadur's most influential works for the theater to the English-speaking audience for the first time. The collection will appeal to readers interested in Russian literature and culture, Russian theater, as well as women's literature. Sadur's plays are inspired by symbolist drama, the theater of the absurd and Russian folklore, yet are also infused with contemporary reality and populated by contemporary characters. Her work is overtly gynocentric: the fictional world construes women's traditionally downplayed concerns as narratively and existentially central and crucial. Sadur's drama has exerted a tremendous influence on contemporary Russian literature. 
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