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Hiding making - showing creation : the studio from Turner to Tacita Dean /
"The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relat...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Hiding making - showing creation : |b the studio from Turner to Tacita Dean / |c edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann. |
| 260 | |b Amsterdam University Press, |c 2013. | ||
| 300 | |a 1 online resource (1 electronic resource (300 pages)) : |b illustrations | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Introduction / |r Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann -- |g PART I: |t Introduction: Old and New Studio Topoi in the Nineteenth Century / |r Sandra Kisters -- |t Studio Matters: Materials, Instruments and Artistic Processes / |r Monika Wagner -- |t Jean-Léon Gérôme, His Badger and His Studio / |r Matthias Krüger -- |t Showing Making in Courbet's The Painter's Studio / |r Petra ten-Doesschate Chu -- |t Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting / |r Terry van Druten -- |t 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau / |r Maar ten Liefooghe -- |t The Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century / |r Mayken Jonkman -- |g PART II: |t Introduction: Forms and Functions of the Studio from the Twentieth Century to Today / |r Rachel Esner -- |t The Studio as Mediator / |r Frank Reijnders -- |t Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings / |r Matthias Noe ll -- |t Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) / |r Beatrice von Bismarck -- |t The Empty Studio: Bruce Nauman's Studio Films / |r Eric de Bruyn -- |t Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur / |r Wouter Davidts -- |t Staging the Studio: Enacting Artful Realities through Digital Photography / |r Sarah de Rijcke -- |t Epilogue: "Good Art Theory Must Smell of the Studio" / |r Ann-Sophie Lehmann. |
| 520 | |a "The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The various essays also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present."--Publisher's description. | ||
| 546 | |a English. | ||
| 500 | |a Application/pdf. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 650 | 0 | |a Artists' studios. | |
| 650 | 0 | |a Artists' studios in art. | |
| 650 | 6 | |a Ateliers d'artiste. | |
| 650 | 6 | |a Ateliers d'artiste dans l'art. | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a The arts: general issues. |2 bicssc | |
| 650 | 7 | |a Theory of art. |2 bicssc | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x Criticism & Theory. |2 bisacsh | |
| 650 | 7 | |a Artists' studios |2 fast | |
| 650 | 7 | |a Artists' studios in art |2 fast | |
| 655 | 4 | |a Book (monograph) | |
| 700 | 1 | |a Esner, Rachel. |4 edt | |
| 700 | 1 | |a Kisters, Sandra. |4 edt | |
| 700 | 1 | |a Lehmann, Sophie-Ann. |4 edt | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wp7vb |z Texto completo |
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