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Alexander Kluge : Raw Materials for the Imagination /
Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in Englishlish - comprises a wide selec...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2011.
|
| Colección: | Film culture in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Alexander Kluge : |b Raw Materials for the Imagination / |c edited by Tara Forrest. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2011. | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (439 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Film Culture in Transition | |
| 505 | 0 | |a Alexander Kluge; Table of Contents; Introduction; Editor's Introduction; The Stubborn Persistence of Alexander Kluge; Film, Politics and the Public Sphere; On Film and the Public Sphere; Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge's Contribution to Germany in Autumn; 'What is Different is Good': Women and Femininity in the Films of Alexander Kluge; Rethinking History; In Search of Germany: Alexander Kluge's The Patriot; Alexander Kluge and German History: 'The Air Raid on Halberstadt on 8.4.1945'; The Air Raid on Halberstadt, 8 April 1945(extract). | |
| 505 | 8 | |a Realism as ProtestConstruction Site Film: Kluge's Idea of Realism and His Short Films; The Sharpest Ideology: That Reality Appeals to its Realistic Character; Debate on the Documentary Film: Conversation with Klaus Eder, 1980; Opera as a 'Power Plant of Emotion'; Undoing Act 5: History, Bodies and Operatic Remains in The Power of Emotion; 'Feelings Can Move Mountains ... ': AnInterview with Alexander Kluge on the Film The Power of Feelings; Alexander Kluge's Phantom of the Opera; Storytelling and Politics; An Analytic Storyteller in the Course of Time. | |
| 505 | 8 | |a The Political as Intensity of Everyday FeelingsAt the 2003 International Security Conference; Television and Counter-Public Spheres; Raw Materials for the Imagination: Kluge'sWork for Television; Television and Obstinacy; Reframing Islam in Television: Alexander Kluge's Interviews on Islamand Terrorism since 9/11; In the Real Time of Feelings: Interview with Alexander Kluge; Television Interviews; Character Armour and MobileWarfare; Jeff Mills: Godfather of Techno; Tsunami of Emotion: On Puccini's Tosca; Early Cinema/RecentWork; Reinventing the Nickelodeon: Notes on Kluge and Early Cinema. | |
| 505 | 8 | |a 'All Things Are Enchanted Human Beings': Remarks on Alexander Kluge's News from Ideological AntiquitySelected Bibliography of English-Language Texts; Acknowledgments; Notes on Contributors; Index of Names; Index ofWorks. | |
| 520 | |a Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in Englishlish - comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those in. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 7 | |a Kluge, Alexander |d 1932- |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Science (General) | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Individual film directors, film-makers. |2 bicssc | |
| 650 | 7 | |a Mathematics and science. |2 bicssc | |
| 650 | 7 | |a Science: general issues. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 653 | |a Multi-User. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Forrest, Tara, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Forrest, Tara. |t Alexander Kluge : Raw Materials for the Imagination. |d Amsterdam : Amsterdam University Press, ©2011 |z 9789089642721 |
| 830 | 0 | |a Film culture in transition. | |
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