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A Knight at the opera : Heine, Wagner, Herzl, Peretz, and the legacy of der Tannhäuser /

A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herz...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Garrett, Leah, 1966-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: West Lafayette, Ind. : Purdue University Press, ©2011.
Colección:Shofar supplements in Jewish studies.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Garrett, Leah,  |d 1966- 
245 1 2 |a A Knight at the opera :  |b Heine, Wagner, Herzl, Peretz, and the legacy of der Tannhäuser /  |c Leah Garrett. 
260 |a West Lafayette, Ind. :  |b Purdue University Press,  |c ©2011. 
300 |a 1 online resource (ix, 147 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Shofar supplements in Jewish studies 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 |a A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I.L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. In the original medieval myth, a Christian knight lives in sin with the seductive pagan goddess Venus in the Venusberg. He escapes her clutches and makes his way to Rome to seek absolution from the Pope. The Pope does not pardon Tannhäuser and he returns to the Venusberg. During the course of A Knight at the Opera, readers will see how Tannhäuser evolves from a medieval knight, to Heine German scoundrel in early modern Europe, to Wagner idealized German male, and finally to Peretz pious Jewish scholar in the Land of Israel. Venus herself also undergoes major changes from a pagan goddess, to a lusty housewife, to an overbearing Jewish mother. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner opera that he wrote The Jewish State while attending performances of it, and he even had the Second Zionist Congress open to the music of Tannhäuser overture. A Knight at the Opera uses Tannhäuser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo. 
505 0 |a Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; 1 The Original Tannhäuser Ballad; 2 Heinrich Heine; 3 Richard Wagner; 4 Theodor Herzl; 5 I.L. Peretz; Conclusion; Discussion Questions; Index. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Open Access 
600 1 0 |a Wagner, Richard,  |d 1813-1883.  |t Tannhäuser. 
600 0 0 |a Tannhäuser. 
600 1 0 |a Heine, Heinrich,  |d 1797-1856. 
600 1 0 |a Herzl, Theodor,  |d 1860-1904. 
600 1 0 |a Peretz, Isaac Leib,  |d 1851 or 1852-1915. 
600 1 7 |a Heine, Heinrich,  |d 1797-1856  |2 fast 
600 1 7 |a Herzl, Theodor,  |d 1860-1904  |2 fast 
600 1 7 |a Peretz, Isaac Leib,  |d 1851 or 1852-1915  |2 fast 
600 0 7 |a Tannhäuser  |2 fast 
630 0 7 |a Tannhäuser (Wagner, Richard)  |2 fast 
650 7 |a LITERARY CRITICISM  |x European  |x German.  |2 bisacsh 
650 7 |a RELIGION  |x Judaism  |x History.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Jewish.  |2 bisacsh 
776 0 8 |i Print version:  |a Garrett, Leah, 1966-  |t Knight at the opera.  |d West Lafayette, Ind. : Purdue University Press, ©2011  |z 9781557536013  |w (DLC) 2011023379  |w (OCoLC)706019528 
830 0 |a Shofar supplements in Jewish studies. 
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