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The marble statue as idea : collected essays on Adalbert Stifter's Der Nachsommer. /

Each of the nine essays in this illuminating study of "Der Nachsommer" focuses on heretofore overlooked details of the novel. As all the phenomena presented are oriented toward fulfillment of their highest potential, the novel emerges as a powerful assertion of the intent to achieve classi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sjögren, Christine Oertel
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill, University of North Carolina Press, 1972.
Colección:University of North Carolina studies in the Germanic languages and literatures ; no. 72.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a University of North Carolina studies in the Germanic languages and literatures ;  |v no. 72 
505 0 |a Introduction: The Marmorgestalt and the concept Gestalt.--Isolation and death.--Mathilde and the roses.--The Cereus Peruvianus: illustration of a Gestalt.--Affirmation of formlessness.--The monstrous painting.--The equivocal light of the Marmorsaal: traces of mysticism.--The human Gestalten and the fools.--Conclusion: Heinrich's progress toward the Marmorgestalt.--Selected bibliography (p. 112-119). 
520 |a Each of the nine essays in this illuminating study of "Der Nachsommer" focuses on heretofore overlooked details of the novel. As all the phenomena presented are oriented toward fulfillment of their highest potential, the novel emerges as a powerful assertion of the intent to achieve classical form in all things despite the ever-present threat of dissolution and chaos. With such emphasis upon the achievement of perfection, "Der Nachsommer" itself becomes a masterly exemplification of Stifter's concept Gestalt with its full ethical connotations. 
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