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|b JSTOR
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|a UAMI
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100 |
1 |
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|a Simons, Jan.
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1 |
0 |
|a Playing the waves :
|b Lars Von Trier's game cinema /
|c Jan Simons.
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260 |
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|a Amsterdam :
|b Amsterdam University Press,
|c ©2007.
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300 |
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|a 1 online resource (251 pages)
|
336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
|
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Film culture in transition
|
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|a Includes bibliographical references (pages 223-236)-and indexes.
|
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0 |
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|a Print version record.
|
506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
520 |
|
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|a Playing the waves offers a unique approach to the work Dannish filmmaker Lars von Trier.
|
505 |
0 |
0 |
|g Machine generated contents note:
|g 1.
|t Manifesto and modernism --
|t manifesto as a postmodern parody --
|t manifesto taken seriously --
|t manifesto and modernism --
|t From 'essence' to game --
|t manifesto : reiteration and difference --
|g 2.
|t name of this game is Dogma 95 --
|t Filmmaking as a game --
|t Film and formalism : the parametric film --
|t Aesthetics and dramaturgy --
|t Filming : story as reconstruction and as representation --
|t Enter the matrix : game, simulation, rules and art --
|t Complex art : Psykomobile #1 : the World Clock --
|t 'There is something digital in the state of Denmark' --
|g 3.
|t Filming the game --
|t rules of the game --
|t game of filming, and films about games --
|t Idioterne (1) --
|t Idioterne (2) --
|g 4.
|t Virtual explorations : journeys to the end of the night --
|t Rules and manifestos --
|t Virtual explorations : the Europa trilogy --
|t Virtual worlds --
|t Virtual film --
|g 5.
|t leader of the game --
|t Many films, one game --
|t 'von Trier' gameworlds --
|t Nuances and subtleties --
|g 6.
|t Between cinema and computer --
|t Filming the virtual --
|t Spirituality and virtuality --
|t Registrations of simulations --
|t Virtuality --
|t Virtual realism --
|t viewer as lurker --
|t 'von Trier system' revisited --
|g 7.
|t Between Hollywood and Copenhagen --
|t Dogma, film and gaming --
|t Enter the Matrix : virtual Hollywood --
|t Matrix unloaded : virtual realism --
|t Dogma 95 : Nouvelle Vague II? --
|t Between new Hollywood and old Europe --
|t Today's Hollywood, today's Europe --
|g 8.
|t name of the game : punish or perish --
|t Cinematic games : games or movies? --
|t Game theory and games studies --
|t Narrative and game theory --
|t Punish or perish; exploit or be exploited --
|t Stories and games reconsidered : probabilities and tragic endings.
|
546 |
|
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|a English.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Open Access
|
590 |
|
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|a JSTOR
|b Books at JSTOR All Purchased
|
600 |
1 |
0 |
|a Trier, Lars von,
|d 1956-
|x Criticism and interpretation.
|
610 |
2 |
0 |
|a Dogme 95 (Group)
|x History.
|
600 |
1 |
7 |
|a Trier, Lars von,
|d 1956-
|2 fast
|0 (OCoLC)fst00389820
|
610 |
2 |
7 |
|a Dogme 95 (Group)
|2 fast
|0 (OCoLC)fst00764882
|
610 |
2 |
7 |
|a Dogma95
|2 gnd
|
600 |
1 |
7 |
|a Trier, Lars von.
|2 rero
|
600 |
1 |
7 |
|a Trier, Lars von.
|2 swd
|
650 |
|
0 |
|a Game theory.
|
650 |
|
0 |
|a Games in art.
|
650 |
|
6 |
|a Théorie des jeux.
|
650 |
|
7 |
|a Mathematics and science.
|2 bicssc
|
650 |
|
7 |
|a Science: general issues.
|2 bicssc
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Game theory.
|2 fast
|0 (OCoLC)fst00937501
|
650 |
|
7 |
|a Games in art.
|2 fast
|0 (OCoLC)fst00937571
|
650 |
|
7 |
|a Film
|2 gnd
|
650 |
1 |
7 |
|a Filmkunst.
|2 gtt
|
650 |
1 |
7 |
|a Dogma 95.
|2 gtt
|
653 |
|
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|a Popular science
|
653 |
|
|
|a Wetenschap algemeen
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
776 |
0 |
8 |
|i Print version:
|a Simons, Jan.
|t Playing the waves.
|d Amsterdam : Amsterdam University Press, ©2007
|z 9789053569917
|z 905356991X
|w (OCoLC)154690012
|
830 |
|
0 |
|a Film culture in transition.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt46mxps
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL419767
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 224152
|
938 |
|
|
|a OAPEN Foundation
|b OPEN
|n 340125
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 2832830
|
938 |
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|b YANK
|n 3001646
|
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|b IZTAP
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