Body and image : explorations in landscape phenomenology 2 /

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"The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens - a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tilley, Christopher Y.
Otros Autores: Bennett, Wayne, 1954-
Formato: Libro
Idioma:Inglés
Publicado: Walnut Creek, Calif. : Left Coast Press, c2008.
Colección:Explorations in landscape phenomenology ; 2.
Temas:
Land settlement patterns, Prehistoric.
Petroglyphs.
Architecture, Prehistoric.
Megalithic monuments.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |a 9781315432847  |q (e-book) 
020 |z 9781598743135 
035 |a (OCoLC)1342050388 
040 |a FINmELB  |c FINmELB  |d FINmELB 
050 0 0 |a GN790  |b .T54 2008 
082 0 0 |a 930.1/4  |2 22 
100 1 |a Tilley, Christopher Y. 
245 1 0 |a Body and image :  |b explorations in landscape phenomenology 2 /  |c Christopher Tilley ; with assistance of Wayne Bennett. 
260 |a Walnut Creek, Calif. :  |b Left Coast Press,  |c c2008. 
300 |a 1 online resource (288 p.) :  |b ill., maps 
490 0 |a Explorations in landscape phenomenology  |5 FBoU  |5 FTaFA 
504 |a Includes bibliographical references (p. 273-282) and index. 
505 0 |a Body and image -- Vingen -- Ireland -- Norrköping -- Conclusions.  |5 FU  |5 FBoU  |5 FTaFA 
520 1 |a "The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens - a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery." "A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today's viewers. The body intersects the landscape in a myriad of ways - through the effort to reach the image, the angles that one can use to view, the multiple senses required for interaction. Tilley outlines the choreographic basis of understanding ancient landscapes and art phenomenologically, and demonstrates the power of his thesis through examples of rock art and megalithic architecture in Norway, Ireland, and Sweden."--BOOK JACKET. 
588 |a Description based on metadata supplied by the publisher and other sources. 
590 |a Electronic reproduction. Santa Fe, Arg.: elibro, 2022. Available via World Wide Web. Access may be limited to eLibro affiliated libraries. 
650 0 |a Land settlement patterns, Prehistoric. 
650 0 |a Petroglyphs. 
650 0 |a Architecture, Prehistoric. 
650 0 |a Megalithic monuments. 
655 4 |a Electronic books. 
700 1 |a Bennett, Wayne,  |d 1954- 
797 2 |a elibro, Corp. 
830 0 |a Explorations in landscape phenomenology ;  |v 2. 
856 4 0 |u https://elibro.uam.elogim.com/ereader/bidiuam/161019  |z Texto completo 

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