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Flash & crash days : Brazilian theater in the postdictatorship period /
"Flash and Crash Days: Brazilian Theater in the Post-Dictatorship Period examines how the absence of censorship and the exigencies of protest and ideological purity have given rise to a variety of theatrical modes. These new modes, which Brazil has never experienced in the past, allow all voice...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
New York :
Garland Pub.,
2000.
|
| Colección: | Garland reference library of the humanities ;
vol. 2153. Garland reference library of the humanities. Latin American studies ; vol. 19. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 007 | cr cn||||||||| | ||
| 008 | 990806s2000 nyu b 001 0 eng | ||
| 020 | |a 9781135576479 |q (e-book) | ||
| 020 | |z 9780815338390 | ||
| 035 | |a (OCoLC)50760757 | ||
| 040 | |a FINmELB |c FINmELB |d FINmELB | ||
| 043 | |a s-bl--- | ||
| 050 | 0 | 0 | |a PN2471 |b .G455 2000 |
| 082 | 0 | 0 | |a 869.2 |2 21 |
| 100 | 1 | |a George, David Sanderson. | |
| 245 | 1 | 0 | |a Flash & crash days : |b Brazilian theater in the postdictatorship period / |c David S. George. |
| 246 | 1 | 4 | |a Flash and crash days |
| 260 | |a New York : |b Garland Pub., |c 2000. | ||
| 300 | |a 1 online resource (xviii, 177 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Garland reference library of the humanities ; |v v. 2153. |a Latin American studies ; |v v. 19 | |
| 504 | |a Includes bibliographical references (pages 161-168) and index. | ||
| 505 | 0 | 0 | |g Ch. 1. |t Gerald Thomas and the Postmodernist Theater in Brazil -- |g Ch. 2. |t Women Writers and the Quest for Identity: From Fiction into Playwriting -- |g Ch. 3. |t General Considerations on Scholarship, Playwriting, and Theater Companies. |
| 520 | 1 | |a "Flash and Crash Days: Brazilian Theater in the Post-Dictatorship Period examines how the absence of censorship and the exigencies of protest and ideological purity have given rise to a variety of theatrical modes. These new modes, which Brazil has never experienced in the past, allow all voices the opportunity to be heard in the marketplace of artistic ideas: women's perspectives, sexual identity, psychological issues, the individual in society, and religion. | |
| 520 | 8 | |a Flash and Crash Days is a volume that reflects upon the theater produced in Brazil during the 1980s and 1990s."--Jacket. | |
| 588 | |a Description based on metadata supplied by the publisher and other sources. | ||
| 590 | |a Electronic reproduction. Santa Fe, Arg.: elibro, 2022. Available via World Wide Web. Access may be limited to eLibro affiliated libraries. | ||
| 650 | 0 | |a Theater |z Brazil |x History |y 20th century. | |
| 650 | 0 | |a Brazilian drama |y 20th century |x History and criticism. | |
| 650 | 0 | |a Women dramatists, Brazilian |y 20th century |v Biography. | |
| 651 | 7 | |a Brazil. |2 fast |0 (OCoLC)fst01206830 | |
| 651 | 7 | |a Brasilien. |2 swd | |
| 648 | 7 | |a 1900 - 1999 |2 fast | |
| 655 | 4 | |a Electronic books. | |
| 797 | 2 | |a elibro, Corp. | |
| 830 | 0 | |a Garland reference library of the humanities ; |v vol. 2153. | |
| 830 | 0 | |a Garland reference library of the humanities. |p Latin American studies ; |v vol. 19. | |
| 856 | 4 | 0 | |u https://elibro.uam.elogim.com/ereader/bidiuam/153680 |z Texto completo |