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Cinema, transnationalism, and colonial India : entertaining the Raj /
"Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
2013.
|
| Colección: | Routledge studies in South Asian history ;
14. |
| Temas: | |
| Acceso en línea: | Texto completo |
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| 020 | |z 9780415528498 (hardback) | ||
| 020 | |z 9780203558997 (e-book) | ||
| 035 | |a (OCoLC)776535533 | ||
| 040 | |a FINmELB |c FINmELB |d FINmELB | ||
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| 050 | 4 | |a PN1993.5.I8 |b S57565 2013 | |
| 082 | 0 | 4 | |a 791.43/0954 |2 23 |
| 100 | 1 | |a Sinha, Babli. | |
| 245 | 1 | 0 | |a Cinema, transnationalism, and colonial India : |b entertaining the Raj / |c Babli Sinha. |
| 260 | |a London ; |a New York : |b Routledge, |c 2013. | ||
| 300 | |a x, 157 p. : |b ill. | ||
| 490 | 1 | |a Routledge studies in South Asian history ; |v 14 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism.The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American 'empire films' of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm.Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema"-- |c Provided by publisher. | ||
| 588 | |a Description based on metadata supplied by the publisher and other sources. | ||
| 590 | |a Electronic reproduction. Santa Fe, Arg.: elibro, 2020. Available via World Wide Web. Access may be limited to eLibro affiliated libraries. | ||
| 650 | 0 | |a Motion pictures |z India |x Foreign influences. | |
| 650 | 0 | |a Motion picture industry |z India |x History. | |
| 650 | 0 | |a Motion pictures |z United States |x Influence. | |
| 650 | 0 | |a Motion pictures |z Great Britain |x Influence. | |
| 650 | 0 | |a Motion pictures, Indic. | |
| 650 | 0 | |a Motion pictures and transnationalism. | |
| 655 | 4 | |a Electronic books. | |
| 797 | 2 | |a elibro, Corp. | |
| 830 | 0 | |a Routledge studies in South Asian history ; |v 14. | |
| 856 | 4 | 0 | |u https://elibro.uam.elogim.com/ereader/bidiuam/143536 |z Texto completo |
| 950 | |a eLibro English | ||