|
|
|
|
| LEADER |
00000nam a2200000 i 4500 |
| 001 |
ELB137433 |
| 003 |
FINmELB |
| 005 |
20200818162738.0 |
| 006 |
m o u |
| 007 |
cr cn||||||||| |
| 008 |
200818s2012 nyua ob 001 0 eng d |
| 020 |
|
|
|a 9781136467554
|q (e-book)
|
| 020 |
|
|
|z 9780203128220
|
| 035 |
|
|
|a (OCoLC)787851380
|
| 040 |
|
|
|a FINmELB
|b eng
|e rda
|c FINmELB
|
| 050 |
|
4 |
|a PN1995
|b .B2953 2012
|
| 082 |
0 |
0 |
|a 791.4301
|2 23
|
| 100 |
1 |
|
|a Bateman, John A.
|
| 245 |
1 |
0 |
|a Multimodal film analysis :
|b how films mean /
|c John A. Bateman and Karl-Heinrich Schmidt.
|
| 264 |
|
1 |
|a New York :
|b Routledge,
|c 2012.
|
| 300 |
|
|
|a 1 online resource (viii, 330 pages) :
|b illustration
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Routledge studies in multimodality ;
|v 5
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions.
|
| 588 |
|
|
|a Description based on metadata supplied by the publisher and other sources.
|
| 590 |
|
|
|a Electronic reproduction. Santa Fe, Arg.: elibro, 2020. Available via World Wide Web. Access may be limited to eLibro affiliated libraries.
|
| 650 |
|
0 |
|a Motion pictures
|x Philosophy.
|
| 650 |
|
0 |
|a Motion pictures
|x Semiotics.
|
| 655 |
|
4 |
|a Electronic books.
|
| 700 |
1 |
|
|a Schmidt, Karl-Heinrich.
|
| 797 |
2 |
|
|a elibro, Corp.
|
| 830 |
|
0 |
|a Routledge studies in multimodality ;
|v 5.
|
| 856 |
4 |
0 |
|u https://elibro.uam.elogim.com/ereader/bidiuam/137433
|z Texto completo
|
| 950 |
|
|
|a eLibro English
|
