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ELB133989 |
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FINmELB |
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20200820162738.0 |
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m o u |
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120802s2013 nyu ob 001 0 eng d |
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|a 9781135085421
|q (e-book)
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|z 9780415521444
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|a (OCoLC)826807331
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|a FINmELB
|b eng
|e rda
|c FINmELB
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|a PN1996
|b .N25 2013
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0 |
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|a 808.2/3
|2 23
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|a Nannicelli, Ted.
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| 245 |
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|a A philosophy of the screenplay /
|c Ted Nannicelli.
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| 264 |
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|a New York :
|b Routledge,
|c 2013.
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| 300 |
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|a 1 online resource (xiii, 270 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
0 |
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|a Routledge studies in contemporary philosophy ;
|v 49
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| 504 |
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|a Includes bibliographical references and index.
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|a Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature.
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| 588 |
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|a Description based on metadata supplied by the publisher and other sources.
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| 590 |
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|a Electronic reproduction. Santa Fe, Arg.: elibro, 2020. Available via World Wide Web. Access may be limited to eLibro affiliated libraries.
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| 650 |
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0 |
|a Motion picture authorship.
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| 650 |
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0 |
|a Motion picture plays
|x History and criticism.
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| 655 |
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4 |
|a Electronic books.
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| 797 |
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|a elibro, Corp.
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| 856 |
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|u https://elibro.uam.elogim.com/ereader/bidiuam/133989
|z Texto completo
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| 950 |
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|a eLibro English
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