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Cinema and colour : the saturated image /
This is a critical study of the use of colour in cinema. Paul Coates unpacks the use of colour in a diverse range of films that deliberately exploit the different cultural meanings, symbolism and associations of colour, such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Houndmills, Basingstoke, Hampshire ; New York :
British Film Institute,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000nam a22000007i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_on1351443312 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 221121s2011 enk o 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d OCLCO | ||
| 020 | |a 9781349924479 |q (electronic bk.) | ||
| 020 | |a 1349924474 |q (electronic bk.) | ||
| 020 | |z 9781844573141 | ||
| 020 | |z 1844573141 | ||
| 035 | |a (OCoLC)1351443312 | ||
| 050 | 4 | |a PN1995.9.C546 |b C63 2011eb | |
| 082 | 0 | 4 | |a 791.4301 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Coates, Paul, |d 1953- | |
| 245 | 1 | 0 | |a Cinema and colour : |b the saturated image / |c Paul Coates. |
| 264 | 1 | |a Houndmills, Basingstoke, Hampshire ; |a New York : |b British Film Institute, |c 2011. | |
| 300 | |a 1 online resource (178 pages) : |b color illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Includes index. | ||
| 505 | 0 | |a Introduction: theorising colour and ambivalence -- The moment of colour: colour, modernism and abstraction -- Colour and / as monochrome -- On the dialectics of filmic colours (in general) and red (in particular) -- Declensions along one side of the colour circle: from yellow to green to blue -- Melos, drama, melodrama: from Demy to Sirk to Antonioni -- Colour and / as fantasy: the rainbow and the jewel -- Colour and suffering. | |
| 520 | |a This is a critical study of the use of colour in cinema. Paul Coates unpacks the use of colour in a diverse range of films that deliberately exploit the different cultural meanings, symbolism and associations of colour, such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, and many more. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Color. | |
| 650 | 0 | |a Colors in motion pictures. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 6 | |a Couleur. | |
| 650 | 6 | |a Couleurs au cinéma. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a symbolic color. |2 aat | |
| 650 | 7 | |a colors (hues or tints) |2 aat | |
| 650 | 7 | |a color (perceived attribute) |2 aat | |
| 650 | 7 | |a Color |2 fast | |
| 650 | 7 | |a Colors in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Coates, Paul, 1953- |t Cinema and colour. |d Houndmills, Basingstoke, Hampshire ; New York : British Film Institute, 2011 |z 9781844573141 |w (DLC) 2010053335 |w (OCoLC)1153555250 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2612572 |z Texto completo |
| 938 | |a EBSCOhost |b EBSC |n 2612572 | ||
| 994 | |a 92 |b IZTAP | ||