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Harlem's theaters : a staging ground for community, class, and contradiction, 1923-1939 /
"Based on a vast amount of archival research, Adrienne Macki Braconi's illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the gro...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
Evanston, Illinois :
Northwestern University Press,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Macki Braconi, Adrienne, |e author. | |
| 245 | 1 | 0 | |a Harlem's theaters : |b a staging ground for community, class, and contradiction, 1923-1939 / |c Adrienne Macki Braconi. |
| 264 | 1 | |a Evanston, Illinois : |b Northwestern University Press, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xii, 267 pages : |b illustrations) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 520 | |a "Based on a vast amount of archival research, Adrienne Macki Braconi's illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights Movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site on which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi's book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights Movement, and the history of community theater in America"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references (pages 229-258) and index. | ||
| 505 | 0 | |a Introduction: "Parent to hope" -- 1923-1928 -- Constructing racial uplift, class, and propaganda -- Constituting community -- 1929-1934 -- Staging sacred and secular experiments -- Per/(re)forming the community -- 1935-1939 -- Re-visioning the community -- Playing with history, signs, and fables -- Epilogue. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Theater |z New York (State) |z New York |x History |y 20th century. | |
| 650 | 0 | |a Theaters |z New York (State) |z New York |x History |y 20th century. | |
| 650 | 0 | |a African American theater |z New York (State) |z New York |x History |y 20th century. | |
| 650 | 0 | |a Civil rights movements |z United States |x History |y 20th century. | |
| 651 | 0 | |a Harlem (New York, N.Y.) |x Intellectual life |y 20th century. | |
| 650 | 6 | |a Théâtre noir américain |z New York (État) |z New York |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Mouvements des droits de l'homme |z États-Unis |x Histoire |y 20e siècle. | |
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