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Cape Town harmonies : memory, humour and resilience /

Cape Town?s public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the?research tools? one needs to get a sense of any city. We have to listen to the sounds that made an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Gaulier, Armelle (Autor), Martin, Denis (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cape Town, South Africa : African Minds, 2017.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gaulier, Armelle,  |e author. 
245 1 0 |a Cape Town harmonies :  |b memory, humour and resilience /  |c Armelle Gaulier and Denis-Constant Martin. 
264 1 |a Cape Town, South Africa :  |b African Minds,  |c 2017. 
300 |a 1 electronic resource (xxvii, 337 pages ) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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588 |a Description based on print version record; resource not viewed. 
504 |a Includes bibliographical references (pages 321-334). 
505 0 |a Part one. Memory and processes of musical appropriation. -- 1. Music behind the music : appropriation as the engine of creation -- 2. In the footsteps of the future : musical memory and reconciliation in South Africa -- part two. Nederlandsliedjies and notions of blending -- 3. The nederlandsliedjies' "uniqueness" -- 4. The meanings of blending -- part three. Moppies : humour and survival -- 5. Assembling comic songs -- 6. Behind the comic -- Conclusion : memory, resilience, identity and creolisation. 
520 |a Cape Town?s public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the?research tools? one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive?mother city?. Various of its constituent parts sound different from each other? [T]here is the sound of the singing men and their choirs (?teams? they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. There are texts of the hallowed?Dutch songs? but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago? back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city. 
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650 0 |a Choral societies  |z South Africa  |z Cape Town. 
650 0 |a Minstrels  |z South Africa  |z Cape Town. 
650 0 |a Music  |x Social aspects  |z South Africa  |z Cape Town  |x History and criticism. 
650 6 |a Chorales  |z Afrique du Sud  |z Le Cap. 
650 6 |a Ménestrels  |z Afrique du Sud  |z Le Cap. 
650 6 |a Musique  |x Aspect social  |z Afrique du Sud  |z Le Cap  |x Histoire et critique. 
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653 |a nederlandsliedjies. 
653 |a moppies. 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Martin, Denis,  |e author. 
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