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Image-Thinking : Artmaking as Cultural Analysis /

Art making as thinkingProposes a new model of synthesis of creative and intellectual work that will benefit practitioners, students and scholars across the humanities and social sciencesMerges theoretical and practical considerations in innovative and empowering waysClarifies difficult concepts thro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bal, Mieke (Autor)
Otros Autores: Mitchell, W. J. T. (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2022]
Colección:Refractions
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bal, Mieke,  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Image-Thinking :  |b Artmaking as Cultural Analysis /  |c Mieke Bal. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2022] 
264 4 |c Ã2022 
300 |a 1 online resource (512 p.) :  |b 100 colour illustrations 100 colour illustrations. 
336 |a text  |b txt  |2 rdacontent 
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520 |a Art making as thinkingProposes a new model of synthesis of creative and intellectual work that will benefit practitioners, students and scholars across the humanities and social sciencesMerges theoretical and practical considerations in innovative and empowering waysClarifies difficult concepts through accounts of practice including trauma, agency, identity and affectCloses with a discussion of cultural memoryIncludes 10 in-depth case studies of films made over 20 years where each case study integrates concrete analysis with theoretical reflectionIn this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Sharing a lifetime of experience of writing about art, making films and installations, as well as curating exhibitions, she shows us how these may be brought into dialogue with insights from theory.Bal teaches us how to think with images, but also how to write and think - as artists and writers - about our own creative work. This is Mieke Bal at her most personal and her best. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022). 
505 0 0 |t Frontmatter --  |t Contents --  |t List of Figures --  |t Series Editor's Preface --  |t Author's Preface --  |t Acknowledgements --  |t Prologue: Iconomania -- On the Thinking-Image and Madness --  |t 1. Introduction: Making as Thinking, and vice versa --  |t Part I: Keys to Intermediality --  |t 2. Time-Space: Spatialising Film --  |t 3. Who Speaks the Film, in Documentaries? A Thousand and One Voices --  |t 4. Multi-tentacled Time: Contemporaneity, Heterochrony, Anachronism for Pre-posterous History --  |t 5. Making Up, Making As: Fiction and/in/with Reality --  |t Part II: Special Issues, Special Pleading --  |t 6. Showing Trauma? Difficulty and Necessity --  |t 7. Agency, Facing --  |t 8. Cultural Citizenship vs Identity --  |t 9. Affect as an Artistic-Political Strategy --  |t 10. By Way of Conclusion -- For Memory: Dis-remembered, Mis-remembered --  |t Author's Filmography --  |t References --  |t Selective Index of Names and Titles --  |t Selective Index of Terms and Concepts 
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650 0 |a Thought and thinking. 
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