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EBSCO_on1311328064 |
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OCoLC |
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20231017213018.0 |
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m o d |
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cr cnu---unuuu |
| 008 |
220416s2020 enk o ||| 0 eng d |
| 040 |
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|a EBLCP
|b eng
|c EBLCP
|d N$T
|d EBLCP
|d N$T
|d OCLCF
|d OCLCQ
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| 020 |
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|a 9956552046
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| 020 |
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|a 9789956552047
|q (electronic bk.)
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| 029 |
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|a AU@
|b 000074660606
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| 035 |
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|a (OCoLC)1311328064
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|a BR1360
|b .B453 2022
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| 082 |
0 |
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|a 276
|2 23/eng/20220524
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Belachew, Tekletsadik.
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| 245 |
1 |
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|a Stories from the Fireplace
|h [electronic resource] :
|b Theological Meditations on Haile Gerima's Cinema.
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| 260 |
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|a Oxford :
|b Langaa RPCIG,
|c 2020.
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| 300 |
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|a 1 online resource (385 p.)
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| 500 |
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|a Description based upon print version of record.
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|a Cover -- Title page -- Copyright page -- Dedication -- Praise For This Book -- Acknowledgment -- Contents -- Foreword -- Abstract -- Chapter 1 -- General Introduction -- Chapter 2 -- Haile Gerima: An African Cinematic Griot -- Introduction -- A. Around-the-Fire Education -- B. Invisible Colonialism as Mis-education -- C. Resisting Invisibility and Subservient Roles -- D. Inspirations from Third Cinema and "L.A. Rebellions" -- E. History of (mis)representations -- F. Demystifying Stereotypical Images and Stories -- Conclusion -- Chapter 3 -- Theology of Icon and Iconic Cinema -- Introduction
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|a A. Artistic Inspirations Through Ethiopian Icons -- B. What is after all an Icon? Definitions and Redefinitions -- C. Christ, the Icon Par Excellence -- D. Images of the Image: Humans as Icons and Icon Makers -- E. Human Iconography -- F. Ethiopian Iconography and African Theology -- Conclusion -- Chapter 4 -- African Cinema as Memory-History -- Introduction -- A. Hegel's A-Historical Africa and Colonial Memory -- B. An Erasure of African Memory -- C. Africa in the Memory of the Conventional Cinema -- D. Mypheduh: "Sacred Shield" of Culture and Memory
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| 505 |
8 |
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|a E. Folkloric Storytelling as a Way of Remembering -- F. Recovering Popular Memories through Ruins and Stones -- G. Theological Sankofa, "Look Back to the Future" -- Conclusion -- Chapter 5 -- Folklores, African Cinematic Storytelling and Theologizing -- Introduction -- A. African Orality beyond the myth of "Primitive Art" -- B. Wax and Gold As Method of Interpreting African Cinema -- C. Silence in Folkloric Storytelling and in Cinema -- D. Griots Counterparts -- E. Myths of the Dragon -- F. Homo narratus -- Humans as Storytellers
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| 505 |
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|a G. African Oral Memory of St. Mark and Folkloric Orality for Theology -- Conclusion -- Chapter 6 -- Being as Communion and Person as Ubuntu -- Introduction -- A. Resisting Radical Otherness and "Non-Being" -- B. Ontology of Personhood -- C. Otherness in Communion -- D. Communion in Otherness -- E. Ubuntuism: An African Philosophy of Personhood -- Conclusion -- Recommendations -- Appendix 1. An Interview with Haile Germia -- Bibliography -- Annotated Bibliography On And By Haile Gerima -- Appendix II -- Gallery -- Postscript: Poems -- Afterword -- Index -- Back cover
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 600 |
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0 |
|a Gerima, Haile.
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| 600 |
1 |
7 |
|a Gerima, Haile.
|2 fast
|0 (OCoLC)fst00415038
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| 650 |
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|a Christianity and culture
|z Africa.
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| 650 |
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|a Christianity and culture.
|2 fast
|0 (OCoLC)fst00859660
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| 651 |
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7 |
|a Africa.
|2 fast
|0 (OCoLC)fst01239509
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| 776 |
0 |
8 |
|i Print version:
|a Belachew, Tekletsadik
|t Stories from the Fireplace
|d Oxford : Langaa RPCIG,c2020
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| 856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3262487
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6950837
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| 938 |
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|a EBSCOhost
|b EBSC
|n 3262487
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| 994 |
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|a 92
|b IZTAP
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