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The CSI effect : television, crime, and governance /

CSI has been heralded in many spheres of public discourse as a televisual revolution, its effects on the public unprecedented. The CSI Effect: Television, Crime, and Governance demonstrates that CSI's appeal cannot be disentangled from eitherits production as a televisual text or the broader di...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Byers, Michele, 1971-, Johnson, Val Marie, 1967-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Lexington Books, ©2009.
Colección:Critical studies in television.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a CSI as neoliberalism: an introduction / Michele Byers and Val Marie Johnson -- Science fiction or social fact?: an exploratory content analysis of popular press reports on the CSI effect / Elizabeth Harvey and Linda Derksen -- The science and careers of CSI / Sherah VanLaerhoven and Gail Anderson -- CSI and Law & order: dueling representations of science and the law in the criminal justice system / Kurt Hohenstein -- Generic difference and innovation in CSI: crime scene investigation / Nichola Dobson -- Corpses, spectacle, illusion: the body as abject and object in CSI / Basil Glynn and Jeongmee Kim -- The city of our times: space, identity, and the body in CSI: Miami / Patrick West -- The crime scene, the evidental fetish, and the usable past / William J. Turkel -- Not the usual suspects: the obfuscation of political economy and race in CSI / Kevin Denys Bonnycastle -- Troping Mr. Johnson: reading phallic mastery and anxiety on season one of CSI: crime scene investigation / Mythili Rajiva -- Forensic music: channeling the dead on post-9/11 television / Lawrence Kramer. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
520 |a CSI has been heralded in many spheres of public discourse as a televisual revolution, its effects on the public unprecedented. The CSI Effect: Television, Crime, and Governance demonstrates that CSI's appeal cannot be disentangled from eitherits production as a televisual text or the broader discourses and practices that circulate within our social landscape. This interdisciplinary collection bridges the gap between the study of media, particularly popular culture media, and the study of crime. The contributors consider the points of intersection between these very different realms of scholars. 
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