Screen-based Art /
In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. I...
Clasificación: | Libro Electrónico |
---|---|
Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Leiden ; Boston :
BRILL,
2000.
|
Colección: | Brill Book Archive Part 1, ISBN: 9789004472495.
Lier & boog studies ; 15. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
LEADER | 00000cam a2200000Mi 4500 | ||
---|---|---|---|
001 | EBSCO_on1294378916 | ||
003 | OCoLC | ||
005 | 20231017213018.0 | ||
006 | m d | ||
007 | cr un||||uuuua | ||
008 | 200716s2000 ne ob 001 0 eng d | ||
040 | |a LUN |b eng |e rda |c LUN |d OCLCO |d OCLCF |d OCLCO |d UAB |d N$T | ||
020 | |a 9004495002 | ||
020 | |a 9789042008113 |q (print) | ||
020 | |a 9042008113 | ||
020 | |a 9789004495005 |q (electronic bk.) | ||
024 | 7 | |a 10.1163/9789004495005. |2 DOI | |
035 | |a (OCoLC)1294378916 | ||
050 | 4 | |a N6494 | |
072 | 7 | |a ABA. |2 bicssc | |
072 | 7 | |a ART |x 009000. |2 bisacsh | |
072 | 7 | |a PHI |x 001000. |2 bisacsh | |
082 | 0 | 4 | |a 709.04 |2 23 |
049 | |a UAMI | ||
245 | 0 | 0 | |a Screen-based Art / |c edited by Annette W. Balkema, Henk Slager. |
264 | 1 | |a Leiden ; |a Boston : |b BRILL, |c 2000. | |
300 | |a 1 online resource. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |2 rdacarrier | ||
490 | 1 | |a Brill Book Archive Part 1, ISBN: 9789004472495 | |
490 | 1 | |a Lier & Boog ; |v 15 | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Annette W. BALKEMA and Henk SLAGER: Prologue -- Marie-Luise ANGERER: New Technology and its Subject -- Annette W. BALKEMA: Desire for the Screen -- René BEEKMAN: Composing Images -- Raymond BELLOUR: Challenging Cinema -- Peter BOGERS: Limitations and Imperfections -- Joost BOLTEN: The Medium in the Middle -- Noël CARROLL: Forget the Medium! -- Sean CUBITT: The Chronoscope -- Cãlin DAN: Growing Old in New Media -- Honoré d'O: Theatrical Video -- Anne-Marie DUQUET: Scenography of the Image -- Ken FEINGOLD: Contextual Consciousness -- Symposium Filmic Images -- Chris DERCON: Still/A Novel -- Patricia PISTERS: Molecular Processes of Becoming -- Ed TAN: The Filmic Image as an Icon of Cultural Memory -- Ursula FROHNE: Illusions of Experience -- hARTware curators: Observations on Techno-Art -- Heiner HOLTAPPELS: Topicalism and the Design of Time -- Aernout MIK: Staged Situations -- Nicolaus SCHAFHAUSEN: Communication Torture -- Jeffrey SHAW: Media Art and Interactive Cinema -- Peter SLOTERDIJK: Neolithic Intelligence -- Barbara VISSER: Blurring Boundaries -- Siegfried ZIELINSKI: Time Machines -- Participants. | |
520 | |a In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog) series and the Amsterdam School of Cultural Analysis (ASCA). Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Cãlin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski. | ||
590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
650 | 0 | |a Art and motion pictures. | |
650 | 0 | |a Video art. | |
650 | 6 | |a Art et cinéma. | |
650 | 6 | |a Art vidéo. | |
650 | 7 | |a video art. |2 aat | |
650 | 7 | |a Art and motion pictures. |2 fast |0 (OCoLC)fst00815412 | |
650 | 7 | |a Video art. |2 fast |0 (OCoLC)fst01166389 | |
700 | 1 | |a Balkema, Annette W., |e editor. | |
700 | 1 | |a Slager, Henk, |e editor. | |
830 | 0 | |a Brill Book Archive Part 1, ISBN: 9789004472495. | |
830 | 0 | |a Lier & boog studies ; |v 15. | |
856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2989414 |z Texto completo |
938 | |a EBSCOhost |b EBSC |n 2989414 | ||
994 | |a 92 |b IZTAP |