Seeing and Perceiving Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wagner, Diana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Heidelberg : Universitätsverlag Winter, 2021.
Colección:American studies (Munich, Germany) ; v. 311.
Temas:
Hustvedt, Siri > Criticism and interpretation.
Hustvedt, Siri
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Titel
  • Imprint
  • TABLE OF CONTENTS
  • INTRODUCTION
  • 1 SEEING AND PERCEIVING: KEY CONCEPTS AND APPROACHES
  • 1.1 The Traditional Conceptions of Vision and the Mind-Brain Problem
  • 1.2 The "Whole-Body-in-Relation-to-Its-Environment" Conceptions of Seeing
  • 1.3 Intentionality and Embodiment: Phenomenological and Feminist Perspectives
  • 1.4 The Gaze in Lacanian Psychoanalysis
  • 1.5 Writing Seeing: Ekphrasis, Intermediality, and Literary Visuality
  • Concluding Remarks: "Ambiguity as a Philosophical Position"
  • 2 SYNESTHETIC PERCEPTION
  • 2.1 "Inter-Acting Senses" in Hustvedt's Early Novels
  • 2.1.1 SYNESTHETIC PERCEPTION OF PHOTOGRAPHS IN 'THE BLINDFOLD'
  • 2.1.2 THE INTERACTION OF THE VISUAL AND THE TACTILE SENSES IN 'THE ENCHANTMENT OF LILY DAHL' AND 'WHAT I LOVEd'
  • 2.2 Synesthesia and Memory in 'Memories of the Future'
  • 2.2.1 SYNESTHESIA AND CARNAL AFFECTIVITY
  • 2.2.2 NARRATIVIZING MEMORY
  • Concluding Remarks
  • 3. EMBODIED INTERSUBJECTIVITY
  • 3.1 Towards a Theory of Embodied Intersubjectivity
  • 3.2 Embodied Intersubjective Practices
  • 3.2.1 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE AUTHOR, THE TEXT, AND THE READER
  • 3.2.2 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE ARTIST, THE ARTWORK, AND THE VIEWER
  • Concluding Remarks
  • 4. GENDER MASQUERADE
  • 4.1 Seeing (through) Gender: Feminist Discourse and the Motif of Masquerade
  • 4.1.1 GENDER, MASQUERADE, AND PERFORMATIVITY: IRIS MASQUERADING AS KLAUS
  • 4.1.2 MASQUERADE INVERSIONS: HARRY AND RUNE'S MASKED IMPROVISATION
  • 4.1.3 'THE SUMMER WITHOUT MEN AND THE BLAZING WORLD': 'HAPPY HOUSEWIVES' VS. ARTISTS
  • 4.2 Gender and/or Genius: The Mask as a "Mingled Reality" between Self and Other
  • 4.2.1 MONSTERS AT HOME: ABIGAIL'S "PRIVATE AMUSEMENTS" AND HARRY'S THE BLAZING WOMAN
  • 4.2.2 'MASKINGS'
  • Concluding Remarks
  • CONCLUSION
  • WORKS CITED
  • LIST OF ILLUSTRATIONS
  • Backcover

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