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EBSCO_on1291316248 |
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|2 23
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|a UAMI
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| 100 |
1 |
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|a Wagner, Diana.
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| 245 |
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|a Seeing and Perceiving
|h [electronic resource] :
|b Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works.
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| 260 |
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|a Heidelberg :
|b Universitätsverlag Winter,
|c 2021.
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| 300 |
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|a 1 online resource (329 p.).
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| 490 |
1 |
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|a American Studies - A Monograph Series ;
|v v.311
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| 500 |
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|a Description based upon print version of record.
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|a Cover -- Titel -- Imprint -- TABLE OF CONTENTS -- INTRODUCTION -- 1 SEEING AND PERCEIVING: KEY CONCEPTS AND APPROACHES -- 1.1 The Traditional Conceptions of Vision and the Mind-Brain Problem -- 1.2 The "Whole-Body-in-Relation-to-Its-Environment" Conceptions of Seeing -- 1.3 Intentionality and Embodiment: Phenomenological and Feminist Perspectives -- 1.4 The Gaze in Lacanian Psychoanalysis -- 1.5 Writing Seeing: Ekphrasis, Intermediality, and Literary Visuality -- Concluding Remarks: "Ambiguity as a Philosophical Position" -- 2 SYNESTHETIC PERCEPTION
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|a 2.1 "Inter-Acting Senses" in Hustvedt's Early Novels -- 2.1.1 SYNESTHETIC PERCEPTION OF PHOTOGRAPHS IN 'THE BLINDFOLD' -- 2.1.2 THE INTERACTION OF THE VISUAL AND THE TACTILE SENSES IN 'THE ENCHANTMENT OF LILY DAHL' AND 'WHAT I LOVEd' -- 2.2 Synesthesia and Memory in 'Memories of the Future' -- 2.2.1 SYNESTHESIA AND CARNAL AFFECTIVITY -- 2.2.2 NARRATIVIZING MEMORY -- Concluding Remarks -- 3. EMBODIED INTERSUBJECTIVITY -- 3.1 Towards a Theory of Embodied Intersubjectivity -- 3.2 Embodied Intersubjective Practices -- 3.2.1 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE AUTHOR, THE TEXT, AND THE READER
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| 505 |
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|a 3.2.2 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE ARTIST, THE ARTWORK, AND THE VIEWER -- Concluding Remarks -- 4. GENDER MASQUERADE -- 4.1 Seeing (through) Gender: Feminist Discourse and the Motif of Masquerade -- 4.1.1 GENDER, MASQUERADE, AND PERFORMATIVITY: IRIS MASQUERADING AS KLAUS -- 4.1.2 MASQUERADE INVERSIONS: HARRY AND RUNE'S MASKED IMPROVISATION -- 4.1.3 'THE SUMMER WITHOUT MEN AND THE BLAZING WORLD': 'HAPPY HOUSEWIVES' VS. ARTISTS -- 4.2 Gender and/or Genius: The Mask as a "Mingled Reality" between Self and Other
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|a 4.2.1 MONSTERS AT HOME: ABIGAIL'S "PRIVATE AMUSEMENTS" AND HARRY'S THE BLAZING WOMAN -- 4.2.2 'MASKINGS' -- Concluding Remarks -- CONCLUSION -- WORKS CITED -- LIST OF ILLUSTRATIONS -- Backcover
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 600 |
1 |
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|a Hustvedt, Siri
|x Criticism and interpretation.
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| 600 |
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|a Hustvedt, Siri
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 776 |
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|i Print version:
|a Wagner, Diana
|t Seeing and Perceiving
|d Heidelberg : Universitätsverlag Winter,c2021
|z 9783825347819
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| 830 |
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|a American studies (Munich, Germany) ;
|v v. 311.
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