Digital meets handmade : jewelry design, manufacture, and art in the twenty-first century : proceedings of the International Symposium, May 15th-16th-17th 2018, Fashion Institute of Technology, NY /
"Embraces the problems and solutions posed by the dynamic dance of digital technology with the traditions of craftsmanship and perceived value in jewelry"--
Clasificación: | Libro Electrónico |
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Autores Corporativos: | , , |
Otros Autores: | , |
Formato: | Electrónico Congresos, conferencias eBook |
Idioma: | Inglés |
Publicado: |
Albany :
State University of New York Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Preface
- Disruptive Innovation: "Digital vs Handmade"
- We were surprised. . .
- Preface
- Handmade
- Digital
- Introduction
- Jewelry Interactions: From Analog to Digital
- Abstract
- 1. Jewelry from Emotion to Experience
- 2. Jewelry as Interface
- 3. Analog System Interaction
- 3.1. The Static Linear System
- 3.2. The Dynamic Linear System: Jewelry as Relational Analog Interface
- Between users and jewelry items
- Between users and their own bodies
- Between users and other objects
- Between users
- 4. Close Circuit Dynamic Interaction
- 5. Open Circuit Dynamic Interaction
- 6. Conclusions
- References
- The Future of Jewelry Programs in Higher Education: The Intersection of Technology and Handcraft
- Abstract
- Introduction
- Digital Tools in the Artist's Hand
- Challenges in Digital Education
- Complementary Relationship with the Jewelry Industry
- Gen Z-The New Generation
- Conclusion
- References
- Finding the Sensuous in Digital: Can "the Hand of the Maker" Survive the Digital Age?
- Abstract
- Introduction
- Part I: Digital Disruption
- Part 2: The Best of Both Worlds
- References
- Digital Tooling and Handcrafting
- Abstract
- Introduction
- Karen-Ann Dicken
- Sandra Wilson-Setting a Base on a Vessel
- Other Artists
- Conclusion
- References
- The Grid, from Colonial to Digital: The Role of Digital Technology in Craft Making
- Abstract
- The Grid, from Colonial to Digital: The Role of Digital Technology in Craft Making
- Bibliography
- Maps and Images
- Craft, Pedagogy, and the Digital Challenge: A Jewelry Perspective
- Abstract
- 1. Introduction
- 2. Thinking in and Resisting Binaries
- 3. Impact of Time
- 4. Nostalgia for the Hand
- 5. Generational Difference/Bias
- 6. New Models of Learning
- 7. Communication and Agency
- 8. Conclusion
- Acknowledgements
- References
- Materializing Humanbeingness in Jewelry through Digital Transformation
- Abstract
- Materializing Humanbeingness in Jewelry through Digital Transformation
- References
- Further Reading
- Hand vs. Machine: Three Methods of Jewellery Making
- Abstract
- 1. Kadri Mälk: the Trace of Fingers
- 2. Sofia Hallik: Digital Craft
- 3. Sofia Hallik: Peer-Reviewed Exhibition, "Tangibility Matters"
- References
- A Virtual Tradition
- Abstract
- A Virtual Tradition
- Further Reading
- Pixels Bejeweled: Modern Media, Contemporary Jewelry, and the Replication of Desire
- Abstract
- Introduction
- Anya Kivarkis
- Mary Hallam Pearse
- emiko oye
- Conclusion
- References
- Glitch in the Copy: Research into Noise Artifact in Digital Reproduction
- Abstract
- 1. Introduction
- 1.1. Methodology
- 1.2. Methods
- 2. Glitch
- 3. Material Markers
- Material Markers
- 4. Practical Research
- 5.1. Original
- 5.2. Process-Finished Pieces
- Scan_1
- Scan_5
- Scan_10
- Scan_15
- Scan_20
- 6. Conclusion
- References