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Digital meets handmade : jewelry design, manufacture, and art in the twenty-first century : proceedings of the International Symposium, May 15th-16th-17th 2018, Fashion Institute of Technology, NY /

"Embraces the problems and solutions posed by the dynamic dance of digital technology with the traditions of craftsmanship and perceived value in jewelry"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores Corporativos: Digital Meets Handmade: Jewelry in the 21st Century (Symposium) Fashion Institute of Technology, New York, N.Y.), Fashion Institute of Technology (New York, N.Y.) (sponsoring body.), Politecnico di Milano (sponsoring body.)
Otros Autores: Yothers, Wendy (Editor ), Cappellieri, Alba (Editor )
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, [2021]
Temas:
Acceso en línea:Texto completo

MARC

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111 2 |a Digital Meets Handmade: Jewelry in the 21st Century (Symposium)  |d (2018 :  |c Fashion Institute of Technology, New York, N.Y.),  |j author. 
245 1 0 |a Digital meets handmade :  |b jewelry design, manufacture, and art in the twenty-first century : proceedings of the International Symposium, May 15th-16th-17th 2018, Fashion Institute of Technology, NY /  |c curated by Wendy Yothers and Alba Cappellieri with Susanna Testa. 
264 1 |a Albany :  |b State University of New York Press,  |c [2021] 
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336 |a text  |b txt  |2 rdacontent 
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500 |a "Fashion Institute of Technology; State University of New York; Politecnico Milano 1863." 
504 |a Includes bibliographical references. 
520 |a "Embraces the problems and solutions posed by the dynamic dance of digital technology with the traditions of craftsmanship and perceived value in jewelry"--  |c Provided by publisher 
505 0 |a Intro -- Preface -- Disruptive Innovation: "Digital vs Handmade" -- We were surprised. . . -- Preface -- Handmade -- Digital -- Introduction -- Jewelry Interactions: From Analog to Digital -- Abstract -- 1. Jewelry from Emotion to Experience -- 2. Jewelry as Interface -- 3. Analog System Interaction -- 3.1. The Static Linear System -- 3.2. The Dynamic Linear System: Jewelry as Relational Analog Interface -- Between users and jewelry items -- Between users and their own bodies -- Between users and other objects -- Between users -- 4. Close Circuit Dynamic Interaction 
505 8 |a 5. Open Circuit Dynamic Interaction -- 6. Conclusions -- References -- The Future of Jewelry Programs in Higher Education: The Intersection of Technology and Handcraft -- Abstract -- Introduction -- Digital Tools in the Artist's Hand -- Challenges in Digital Education -- Complementary Relationship with the Jewelry Industry -- Gen Z-The New Generation -- Conclusion -- References -- Finding the Sensuous in Digital: Can "the Hand of the Maker" Survive the Digital Age? -- Abstract -- Introduction -- Part I: Digital Disruption -- Part 2: The Best of Both Worlds -- References 
505 8 |a Digital Tooling and Handcrafting -- Abstract -- Introduction -- Karen-Ann Dicken -- Sandra Wilson-Setting a Base on a Vessel -- Other Artists -- Conclusion -- References -- The Grid, from Colonial to Digital: The Role of Digital Technology in Craft Making -- Abstract -- The Grid, from Colonial to Digital: The Role of Digital Technology in Craft Making -- Bibliography -- Maps and Images -- Craft, Pedagogy, and the Digital Challenge: A Jewelry Perspective -- Abstract -- 1. Introduction -- 2. Thinking in and Resisting Binaries -- 3. Impact of Time -- 4. Nostalgia for the Hand 
505 8 |a 5. Generational Difference/Bias -- 6. New Models of Learning -- 7. Communication and Agency -- 8. Conclusion -- Acknowledgements -- References -- Materializing Humanbeingness in Jewelry through Digital Transformation -- Abstract -- Materializing Humanbeingness in Jewelry through Digital Transformation -- References -- Further Reading -- Hand vs. Machine: Three Methods of Jewellery Making -- Abstract -- 1. Kadri Mälk: the Trace of Fingers -- 2. Sofia Hallik: Digital Craft -- 3. Sofia Hallik: Peer-Reviewed Exhibition, "Tangibility Matters" -- References -- A Virtual Tradition -- Abstract 
505 8 |a A Virtual Tradition -- Further Reading -- Pixels Bejeweled: Modern Media, Contemporary Jewelry, and the Replication of Desire -- Abstract -- Introduction -- Anya Kivarkis -- Mary Hallam Pearse -- emiko oye -- Conclusion -- References -- Glitch in the Copy: Research into Noise Artifact in Digital Reproduction -- Abstract -- 1. Introduction -- 1.1. Methodology -- 1.2. Methods -- 2. Glitch -- 3. Material Markers -- Material Markers -- 4. Practical Research -- 5.1. Original -- 5.2. Process-Finished Pieces -- Scan_1 -- Scan_5 -- Scan_10 -- Scan_15 -- Scan_20 -- 6. Conclusion -- References 
500 |a Future Carriers of Our Past. 
520 |a Embraces the problems and solutions posed by the dynamic dance of digital technology with the traditions of craftsmanship and perceived value in jewelry. 
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700 1 |a Yothers, Wendy,  |e editor. 
700 1 |a Cappellieri, Alba,  |e editor. 
710 2 |a Fashion Institute of Technology (New York, N.Y.),  |e sponsoring body. 
710 2 |a Politecnico di Milano,  |e sponsoring body. 
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