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|a GBC177586
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|a 020196069
|2 Uk
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|a 9781526155702
|q (electronic bk.)
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|a 1526155702
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|a (OCoLC)1259673784
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|a ManchesterUniversityPress13173
|b Ingram Content Group
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|a PN1991.65
|b .T86 2021
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|a 809.2/22
|2 23
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|a UAMI
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|a Tuning in to the neo-avant-garde :
|b experimental radio plays in the postwar period /
|c edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst.
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|a Manchester :
|b Manchester University Press,
|c 2021.
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|c ©2021
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|a 1 online resource (xii, 258 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
|b cr
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|a Print version record.
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|a Includes bibliographical references and index.
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|a "Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo- )avant-garde."--
|c Provided by publisher
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|a Part I: The poetics of the radiophonic neo-avant-garde1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition <i>A Pollen in the Air</i> -- Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem <i>Private Dreams and Public Nightmares</i> -- Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio -- Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde -- Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays -- Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's <i>Lost & Found: Das Paradies </i>- Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality -- Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry -- Roland Innerhofer<i>9 </i>A theatre of choric voices: Jandl and Mayröcker's radio play <i>Spaltungen </i><i>-</i> Inge Arteel10 Language, sound and textuality: Caryl Churchill's <i>Identical Twins</i> as neo-avant-garde (radio) drama -- Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio -- Adam J. FrankIndex
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Radio plays
|x History and criticism.
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650 |
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|a Experimental drama
|x History and criticism.
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|a Audiodrames
|x Histoire et critique.
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|a Théâtre expérimental
|x Histoire et critique.
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|a Experimental drama
|2 fast
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|a Radio plays
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Arteel, Inge,
|e editor.
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|a Bernaerts, Lars,
|d 1980-
|e editor.
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|a Bluijs, Siebe,
|e editor.
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|a Verhulst, Pim,
|e editor.
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|i Print version:
|z 1526155710
|z 9781526155719
|w (OCoLC)1225287097
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776 |
0 |
8 |
|i Print version:
|t Tuning in to the neo-avant-garde.
|d Manchester : Manchester University Press, 2021
|z 9781526155719
|w (OCoLC)1255844063
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856 |
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