Cargando…

The normativity of musical works : a philosophical inquiry /

What do we mean when we talk about the identity of a musical work and what does such an identity involve? What in fact are the properties that make it something worth protecting and preserving? These issues are not only of legal relevance; they are central to a philosophical discipline that has seen...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Arbo, Alessandro, 1963- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2021]
Colección:Brill research perspectives. Art and law.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000002i 4500
001 EBSCO_on1255234838
003 OCoLC
005 20231017213018.0
006 m o d
007 cr cnu---unuuu
008 210605s2021 ne a ob 000 0 eng d
040 |a EBLCP  |b eng  |e rda  |c EBLCP  |d YDXIT  |d OCLCO  |d QGJ  |d OCLCO  |d YDX  |d N$T  |d OCLCF  |d OCLCQ  |d AUD  |d OCLCO 
020 |a 9004462775  |q electronic book 
020 |a 9789004462779  |q (electronic bk.) 
020 |z 9789004462762  |q paperback 
020 |z 9004462767  |q paperback 
035 |a (OCoLC)1255234838 
050 4 |a ML3845  |b .A73 2021 
082 0 4 |a 781.1/7  |2 23 
049 |a UAMI 
100 1 |a Arbo, Alessandro,  |d 1963-  |e author. 
245 1 4 |a The normativity of musical works :  |b a philosophical inquiry /  |c by Alessandro Arbo. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2021] 
300 |a 1 online resource (135 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Art and law 
504 |a Includes bibliographical references. 
520 8 |a What do we mean when we talk about the identity of a musical work and what does such an identity involve? What in fact are the properties that make it something worth protecting and preserving? These issues are not only of legal relevance; they are central to a philosophical discipline that has seen considerable advances over the last few decades: musical ontology. Taking into account its main theoretical models, this essay argues that an understanding of the ontological status of musical works should acknowledge the irreducible ambivalence of music as an ?art of the trace? and as a ?performative art.? It advocates a theory of the musical work as a ?social object? and, more specifically, as a sound artefact that functions aesthetically and which is based on a trace informed by a normative value. Such a normativity is further explored in relation to three primary ways of conceiving and fixing the trace: orality, notation and phonography. 
588 |a Description based on online resource; title from digital title page (viewed on August 05, 2021). 
505 0 0 |t Front Matter --  |t Preliminary Material /  |r Author: Alessandro Arbo --  |t Copyright page /  |r Author: Alessandro Arbo --  |t The Normativity of Musical Works --  |t A Philosophical Inquiry /  |r Author: Alessandro Arbo. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Music  |x Philosophy and aesthetics. 
650 6 |a Musique  |x Philosophie et esthétique. 
650 7 |a Music  |x Philosophy and aesthetics  |2 fast 
776 0 8 |i Print version:  |a Arbo, Alessandro  |t The Normativity of Musical Works: a Philosophical Inquiry  |d Boston : BRILL,c2021  |z 9789004462762 
830 0 |a Brill research perspectives.  |p Art and law. 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2939311  |z Texto completo 
938 |a YBP Library Services  |b YANK  |n 17229714 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL6631806 
938 |a EBSCOhost  |b EBSC  |n 2939311 
994 |a 92  |b IZTAP