Chinese Ways of Seeing and Open-Air Painting /

"Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice bro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : BRILL, 2020.
Colección:Harvard East Asian monographs ; 430.
Temas:
1900-1999
Landscape painting, Chinese > 20th century.
Landscape painting, Chinese > Technique.
Peinture de paysages chinoise > 20e siècle.
Peinture de paysages chinoise > Technique.
Landscape painting, Chinese.
Acceso en línea:Texto completo

MARC

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245 0 0 |a Chinese Ways of Seeing and Open-Air Painting /  |c Yi Gu. 
264 1 |a Leiden ;  |a Boston :  |b BRILL,  |c 2020. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
490 1 |a Harvard East Asian Monographs ;  |v 430 
504 |a Includes bibliographical references and index. 
505 0 0 |t Copyright Page /  |r Author: Yi Gu --  |t Dedication /  |r Author: Yi Gu --  |t List of Illustrations /  |r Author: Yi Gu --  |t Acknowledgments /  |r Author: Yi Gu --  |t Introduction /  |r Author: Yi Gu --  |t chapter one Open-Air Painting and the Modern Chinese Painter /  |r Author: Yi Gu --  |t chapter two Optical Vision and New Modes of Depiction /  |r Author: Yi Gu --  |t chapter three Inventing Tradition through Open-Air Painting /  |r Author: Yi Gu --  |t chapter four Open-Air Painting during the War /  |r Author: Yi Gu --  |t chapter five Views of the Party-State /  |r Author: Yi Gu --  |t Epilogue /  |r Author: Yi Gu --  |t Notes /  |r Author: Yi Gu --  |t Glossary /  |r Author: Yi Gu --  |t Bibliography /  |r Author: Yi Gu --  |t Index /  |r Author: Yi Gu --  |t Harvard East Asian Monographs /  |r Author: Yi Gu. 
520 |a "Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise"--  |c Provided by publisher. 
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650 0 |a Landscape painting, Chinese  |y 20th century. 
650 0 |a Landscape painting, Chinese  |x Technique. 
650 6 |a Peinture de paysages chinoise  |y 20e siècle. 
650 6 |a Peinture de paysages chinoise  |x Technique. 
650 7 |a Landscape painting, Chinese.  |2 fast  |0 (OCoLC)fst00991975 
650 7 |a Landscape painting, Chinese  |x Technique.  |2 fast  |0 (OCoLC)fst00991978 
648 7 |a 1900-1999  |2 fast 
776 0 8 |i Print version:  |z 0674244443 
830 0 |a Harvard East Asian monographs ;  |v 430. 
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938 |a EBSCOhost  |b EBSC  |n 2751184 
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