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Digital cinema

Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking's analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Prince, Stephen, 1955-2020 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, New Jersey : Rutgers University Press, [2019]
Colección:Quick takes.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Quick takes: movies and popular culture 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t INTRODUCTION --  |t 1 CINEMA AS CONSTRUCTION Then and Now --  |t 2 REASONS FOR REALISM --  |t 3 CHEATING PHYSICS --  |t 4 BEYOND CINEMA --  |t 5 EVERYWHERE AND NOWHERE --  |t ACKNOWLEDGMENTS --  |t FURTHER READING --  |t WORKS CITED --  |t INDEX 
520 |a Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking's analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century. 
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