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|a Prince, Stephen,
|d 1955-2020,
|e author.
|
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1 |
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|a Digital cinema
|h [electronic resource] /
|c Stephen Prince.
|
264 |
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1 |
|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c [2019]
|
264 |
|
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|c ©2019
|
300 |
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|a 1 online resource.
|
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|a Quick takes: movies and popular culture
|
505 |
0 |
0 |
|t Frontmatter --
|t CONTENTS --
|t INTRODUCTION --
|t 1 CINEMA AS CONSTRUCTION Then and Now --
|t 2 REASONS FOR REALISM --
|t 3 CHEATING PHYSICS --
|t 4 BEYOND CINEMA --
|t 5 EVERYWHERE AND NOWHERE --
|t ACKNOWLEDGMENTS --
|t FURTHER READING --
|t WORKS CITED --
|t INDEX
|
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|a Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking's analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.
|
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Digital cinematography.
|
650 |
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|a Motion pictures
|x History
|y 21st century.
|
650 |
|
6 |
|a Cinéma numérique.
|
650 |
|
6 |
|a Cinéma
|x Histoire
|y 21e siècle.
|
650 |
|
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|a PERFORMING ARTS / General.
|2 bisacsh
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|
7 |
|a Digital cinematography
|2 fast
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|a Motion pictures
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|a 2000-2099
|2 fast
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655 |
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|a History
|2 fast
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776 |
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|a Quick takes.
|
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