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The Making of Indigenous Australian Contemporary Art : Arnhem Land Bark Painting, 1970-1990.
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle-upon-Tyne :
Cambridge Scholars Publisher,
2020.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Geissler, Marie. | |
| 245 | 1 | 4 | |a The Making of Indigenous Australian Contemporary Art : |b Arnhem Land Bark Painting, 1970-1990. |
| 264 | 1 | |a Newcastle-upon-Tyne : |b Cambridge Scholars Publisher, |c 2020. | |
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| 520 | |a This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert a. | ||
| 504 | |a Includes bibliographical references (pages 162-191) and index. | ||
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| 650 | 6 | |a Art autochtone |z Australie. | |
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| 776 | 0 | 8 | |i Print version: |a Geissler, Marie. |t Making of Indigenous Australian Contemporary Art. |d Newcastle-upon-Tyne : Cambridge Scholars Publisher, ©2020 |z 9781527555464 |
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