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200911s2019 enk o ||| 0 eng |
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|2 23
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|a UAMI
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| 100 |
1 |
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|a Groening, Stephen,
|e author.
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| 245 |
1 |
0 |
|a Cinema beyond territory :
|b inflight entertainment and atmospheres of globalisation /
|c Stephen Groening.
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| 264 |
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1 |
|a London :
|b British Film Institute,
|c 2019.
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| 300 |
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|a 1 online resource (240 pages).
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| 336 |
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|a text
|2 rdacontent
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| 337 |
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|a computer
|2 rdamedia
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| 338 |
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|a online resource
|2 rdacarrier
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| 490 |
1 |
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|a Cultural Histories of Cinema Ser.
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| 500 |
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|a Acknowledgements.- Introduction.- 1. Global Airspace, Global Cinemaspace.- 2. Aerial Perceptions: The Visuality of the Airplane.- 3. Airborne Cinema: The Emergence of Inflight Entertainment.- 4. Executive Flight: Attention, Gender, and the Seatback Screen.- 5. Networked Transport: Neoliberalism and Digital Entertainments.- 6. Disastrous Speed: Thrill Rides, Screens, and Fear of Flying.- 7. Live in Air: Aerial Circuits of Television.- Conclusion: Cinema as Infrastructure.- Bibliography.- Index.
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|a Cover -- Title Page -- Contents -- Acknowledgments -- Introduction -- Inflight entertainment and cosmopolitanism -- Inflight entertainment as transmedia -- Organisation and method -- Inflight entertainment as globalisation -- Geographies -- 1. Global Airspace, Global Cinemaspace -- New categories of space and sovereignty -- The international framework for inflight film -- Globalisation as flow -- Conclusion: air world -- 2. Aerial Perceptions: The Visuality of the Airplane -- From tours to pre-tours -- Flag carriers and national cinemas -- The aerial view -- The global cinematic
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| 505 |
8 |
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|a Technologies -- 3. Airborne Cinema: The Emergence of Inflight Entertainment -- 'Movies! 8,000 feet over the Atlantic' -- 'Our customers like movies, we like movies and we intend to keep them' -- Competing screen sizes -- The sound of inflight entertainment -- Conclusion: 'A necessary evil' -- 4. Executive Flight: Attention, Gender and the Seatback Screen -- Global attention economy -- Productive empty time -- 'Let us entertain you' -- Censorship and the contested space of the cabin -- Conclusion -- 5. Networked Transport: Neoliberalism and Digital Entertainments
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| 505 |
8 |
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|a A brief history of inflight telephony -- Digital neoliberalism -- Flying the web -- Virtual weight -- Crises -- 6. Disastrous Speed: Thrill Rides, Screens and Fear of Flying -- The logic of speed -- Screen reassurance and safety announcements -- The latent danger of inflight entertainment -- Astrovision: American Airlines' thrill ride -- The terminal citizen -- 7. Live in Air: Aerial Circuits of Television -- Routine emergencies of television -- Conclusion: Cinema as Infrastructure -- Notes -- Bibliography -- Index -- eCopyright
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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|a Motion pictures
|x Philosophy.
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| 650 |
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|a In-flight entertainment systems.
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| 650 |
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6 |
|a Multimédia de bord.
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| 650 |
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|a In-flight entertainment systems.
|2 fast
|0 (OCoLC)fst01740165
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| 650 |
|
7 |
|a Motion pictures
|x Philosophy.
|2 fast
|0 (OCoLC)fst01027348
|
| 776 |
0 |
8 |
|i Print version:
|a Groening, Stephen
|t Cinema Beyond Territory : InFlight Entertainment and Atmospheres of Globalization
|d London : BFI Publishing,c2014
|
| 830 |
|
0 |
|a Cultural Histories of Cinema Ser.
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| 856 |
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|z Texto completo
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|a ProQuest Ebook Central
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|n EBL6348789
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| 938 |
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|a EBSCOhost
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|a 92
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