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|a UAMI
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|a Empire and film /
|c edited by Lee Grieveson and Colin MacCabe.
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| 264 |
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|a London :
|b British Film Institute,
|c 2019.
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|a 1 online resource (304 pages).
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|a Cultural histories of cinema
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|a Introduction: 'To take ship to India to see a naked man spearing fish in blue water': Watching Films to Mourn the End of Empire; C.MacCabe.- PART I: EARLY CINEMATIC ENCOUNTERS WITH EMPIRE.- 'The Captains and the Kings Depart': Imperial Departure and Arrival in Early Cinema; I.Christie.- 'Sons of our Empire': Shifting Ideas of 'Race' and the Cinematic Representation of Imperial Troops in the First World War; T.Haggith and R.Smith.- American Philanthropy and Colonial Filmmaking -- the Rockefeller Foundation, the Carnegie Corporation, and the Birth of Colonial Cinema; J.Burns.- PART II: THE STATE AND THE ORIGINS OF DOCUMENTARY.- The Cinema and the (Common)Wealth of Nations; L.Grieveson.- Exhibiting Africa: British Instructional Films and The Empire Series (1925-1928); T.Rice.- Imperialism and Internationalism: The British Documentary Movement and the Legacy of the Empire Marketing Board; S.Anthony.- PART III: COLONIALISM AND THE REPRESENTATION OF SPACE.- Representing Connection: A Multimedia Approach to Colonial Film, 1918-1939; D.Trotter.- An 'Accurate Imagination': Place, Map and Archive as Spatial Objects of Film History; P.Jaikumar.- Domesticating Empire in the 1930s: Metropole, Colony, Family; J.Codell.- PART IV: AFRICAN EXPERIMENTS.- The Bantu Educational Kinema Experiment and the Political Economy of Community Development; A.Windel.- Colonialism, Visuality and the Cinema: Revisiting the Bantu Educational Kinema Experiment; A.Sanago.- 'Of Great Use at Meetings: Film-Making Principles of the London Missionary Society'; F.Gooding.- Paul Robeson and the Cinema of Empire; C.Musser.
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|a Motion pictures
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|a Imperialism in motion pictures.
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|a Cinéma
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|a Impérialisme au cinéma.
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|a MacCabe, Colin.
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