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EBSCO_on1197810494 |
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200911s2019 enk o ||| 0 eng |
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|b codeMantra
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|a PN1995
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|a 791.4375
|2 22
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| 049 |
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|a UAMI
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| 245 |
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|a Film moments :
|b criticism, history, theory /
|c edited by James Walters and Tom Brown.
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| 264 |
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|a London :
|b British Film Institute,
|c 2019.
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| 300 |
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|a 1 online resource (320 pages)
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| 336 |
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|a text
|2 rdacontent
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|a computer
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| 338 |
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|a online resource
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|a Acknowledgments.- Notes on Contributors.- Preface.- PART ONE: CRITICISM.- Shadow Play and Dripping Teat: The Night of the Hunter (1955); T.Gunning.- Between Melodrama and Realism: Under the Skin of the City (2001); L.Mulvey.- Internalising the Musical: The Band Wagon (1953); A.Klevan.- The Visitor's Discarded Clothes in Theorem (1968); S.Bruzzi.- Style and Sincerity in Quentin Tarantino's Kill Bill: Vol. 2 (2004); J.Walters.- The Moves: Blood (1989); A.Martin.- The Properties of Images: Lust for Life (1956); S.Neale.- Two Views Over Water: Action and Absorption in Ingmar Bergman's Wild Strawberries (1957); E.Gallafent.- Making an Entrance: Bette Davis's First Appearance in Jezebel (1938); M.Shingler.- A Narrative Parenthesis in Life is Beautiful (1997); D.Thomas.- The End of Summer: Conte d'été (1996); J.Leigh.- Enter Lisa: Rear Window (1954); D.Pye.- Opening Up The Secret Garden (1993); S.Smith.- A Magnified Meeting in Written on the Wind (1956); S.Peacock.- 'Everything is connected, and everything matters': Relationships in I [heart] Huckabees (2004); J.Gibbs.- The Ending of 8 ½ (1963); R.Dyer.- PART TWO: HISTORY.- Haptic Vision and Consumerism: a Moment from Fritz Lang's Siegfried (1924); T.Elsaesser.- Visions of Sound: City Lights (1931); C.Barr.- 'Entertainment and dystopia': Maurice Chevalier Performs Avec le sourire (1936); T.Brown.- Music, Crime and the Gaze: La Bête humaine (1938); G.Vincendeau.- Thunder and Lightning: Gone with the Wind (1939) and the Logic of Synchronisation; R.Altman.- Hearing, Fearing: the Sonic Design of Suspense in Cat People (1942); H.Hanson.- 'I've seen him take his knife...': The Searchers (1956); R.J.Ellis.- Another Story: Myth and History in Bonnie and Clyde (1967); P.Cook.- A Sculptural Moment: the Epilogue to Les Deux Anglaises et le Continent (1971); M.Broughton.- Star Wars (1977): Back and Forth in Time and Space; J.Bignell.- Between Freedom and Confinement: Music in The World (2004); C.Gorbman.- PART THREE: THEORY.- Performance, with Strings Attached: Team America's (2004) Snub to the Actor; A.Clayton.- Éloge de l'amour (2001): Moments in Time; A.Butler.- Contested Endings: Interpreting The Piano's (1993) Final Scenes; B.Klinger.- Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994); E.Cowie.- Stepping Out of Blockbuster Mode: the Lighting of the Beacons in The Lord of the Rings: The Return of the King (2003); K.Thompson.- Dorothy's Dream: Mindscreen in The Wizard of Oz (1939); B.F.Kawin.- Looking On and Looking the Other Way: Hotel Rwanda (2004) and the Racialised Ethics of Spectatorship; M.Aaron.- Working Through the Body: Textual-Corporeal Strategies in United 93 (2006); L.Purse.- 'I wasn't expecting that!': Cognition and Shock in Alien's (1979) Chestburster Scene; J.Frome.- The Inflection of a Dream in Scarlet Street (1945); G.M.Wilson.- Judy's Plan: a Reading of the 'Flashback' Sequence in Vertigo (1958); W.Rothman.- Index.
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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|a Motion pictures.
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| 650 |
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|a Film criticism.
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| 650 |
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|a Critique cinématographique.
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| 650 |
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|a Cinéma.
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| 650 |
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|a Film criticism
|2 fast
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| 650 |
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|a Motion pictures
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| 700 |
1 |
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|a Walters, James
|q (James R.)
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| 700 |
1 |
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|a Brown, Tom,
|d 1978-
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|z Texto completo
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