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God Rock, Inc. : the business of niche music /

"Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular musi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mall, Andrew, 1978- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California University of California Press [2021]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mall, Andrew,  |d 1978-  |e author. 
245 1 0 |a God Rock, Inc. :  |b the business of niche music /  |c Andrew Mall. 
264 1 |a Oakland, California  |b University of California Press  |c [2021] 
300 |a 1 online resource (xxiii, 295 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Print version record 
504 |a Includes bibliographical references, discography and index 
505 0 |a Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s 
520 |a "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"--  |c Provided by publisher 
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650 0 |a Contemporary Christian music  |z United States  |x History and criticism. 
650 0 |a Contemporary Christian music  |z United States  |x Marketing. 
650 0 |a Sound recording industry  |z United States  |x History. 
650 0 |a Market segmentation  |z United States. 
650 0 |a Rock music  |x Religious aspects  |x Christianity. 
650 6 |a Musique populaire chrétienne  |z États-Unis  |x Histoire et critique. 
650 6 |a Segmentation du marché  |z États-Unis. 
650 6 |a Enregistrements sonores  |x Industrie  |z États-Unis  |x Histoire. 
650 7 |a Contemporary Christian music  |2 fast 
650 7 |a Market segmentation  |2 fast 
650 7 |a Rock music  |x Religious aspects  |x Christianity  |2 fast 
650 7 |a Sound recording industry  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
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