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Enjoying the operatic voice : a neuropsychoanalytic exploration of the operatic reception experience /
"There has been a long-standing and mutually-informing association between psychoanalysis, literature and the arts. Surprisingly, given the oral/aural basis of the 'talking cure', music has largely been overlooked by psychoanalysis. Notably, neuroscientific research investigating musi...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Wilmington, Delaware :
Vernon Press,
[2018]
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| Colección: | Cognitive science and psychology.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Setting the scene
- A (very) concise history of opera
- The historical tension between words and music in opera
- Prima la musica o le parole?
- The 'layers' of opera
- Feminism, queer theory, gender and opera
- Opera at the nexus of psychoanalysis and the neurosciences (neuropsychoanalysis)
- Opera and psychoanalysis
- Applying psychoanalysis to music
- some considerations
- The voice and the gaze
- The big 'O' in opera
- Symbolic, imaginary and real
- The operatic voice and the fetish
- The transitional experience of opera
- Music and (neuro)science
- The origins of music and singing
- Music: culture, society, language and memory
- The overlap between the neural processing of music and language
- How music is processed in the brain and enjoyed
- The music and emotion debate
- Music, emotion, gender and sexuality
- The duet between psychoanalysis and neuroscience
- What is the origin and nature of the powerful emotional response that is evoked in some listeners by the operatic voice?
- Does enjoyment of the operatic voice have something erotic about it?
- The reception of the operatic voice: from the neural processing of acoustic input to the subjective experience of vocal jouissance
- a theoretical formulation
- Grand finale.