Aardman animations : beyond stop-motion /

The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Honess Roe, Annabelle (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London [England] : Bloomsbury Academic, 2020.
Temas:
Aardman Animations (Firm)
Animated films > Great Britain > History and criticism.
Animated television programs > Great Britain > History and criticism.
Film theory & criticism.
Performing Arts > Film & Video > History & Criticism.
Performing Arts > Animation.
Animated films
Animated television programs
Great Britain
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Understanding Aardman Annabelle Honess Roe
  • Identity and Brand
  • 1. 'All you do is call me, I'll be anything you need' Aardman Animations, Music Videos and Commercials Malcolm Cook
  • 2. Music, Sound and Northernness in the Wallace and Gromit Films Joseph Darlington
  • 3. Yahoo! My last moment has come': Peter Lord and the Literacy of Wit and Nostalgia Paul Wells
  • 4. From Europe to Hollywood and Back Again: Aardman and its Studio Partners Christopher Meir
  • Cultural Contexts
  • 5. Aardman's Early Shorts and the British Social Realist Tradition Fatemeh Hosseini-Shakib
  • 6. A Darker Heartland: Otherness, Dysfunction and the Uncanny in Aardman's Short films Jane Batkin
  • 7. Washed Up: Animating Literary Corpses in The Pearce Sisters Nicholas Andrew Miller
  • 8. Wallace and Gromit and the British Fantasy Tradition
  • Alexander Sergeant
  • Process and Production
  • 9. Animation Storyboarding as Part of the Pre-Production Process: An Aardman Case Study Paul Ward
  • 10. Life's a Treat: Shaun, Timmy, Aardman and Children's Television Linda Simensky
  • 11. Shaun the Sheep
  • Buster Keaton Reborn? Richard Haynes
  • Surface and Performance
  • 12. Aardman's Neo-Baroque: The Dual Nature of Special Effects in Aardman's Feature Film Production Thomas Walsh
  • 13. Performing Authenticity through Clay in the Wallace and Gromit Films Laura Ivins
  • 14. Between Plasticine and Pixel: Aardman's Digital Handprint Christopher Holliday
  • 15. Aardman! In an Entanglement with CGI! Aylish Wood.

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