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The Anglo-Canadian novel in the twenty-first century : interpretations /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Heidelberg :
Universitätsverlag Winter,
[2019]
|
| Colección: | Anglistische Forschungen ;
Heft 466. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Titel; Imprint; Contents; A Very Short Introduction; Rūta Šlapkauskaitė (Vilnius): An Arc of Itinerant Tropes: Beyond Kin and Kind in André Alexis's "Fifteen Dogs" (2015); Coral Ann Howells (London): Dire Cartographies: Margaret Atwood's "MaddAddam" Trilogy (2003-2013); Martin Kuester (Marburg) Shakespearean Godgames in Makeshiweg, Ont.: Margaret Atwood's "Hag-Seed" (2016); Silvia Mergenthal (Konstanz): Indigeneity, Trauma and Healing: Joseph Boyden, "Three Day Road" (2005)
- Nassim Winnie Balestrini (Graz): Abused by Fish Bellies, Accompanied by Manitous: The Residential School System's Death Toll in Joseph Boyden's "Wenjack" (2016)Carmen Birkle (Marburg): Geographies, Ethnicities, and the Cultures of Belonging: Dionne Brand, "What We All Long For" (2005); David Creelman (Saint John, NB): Protest, Tragedy, and the Triumph of Language: George Elliott Clarke's "George & Rue" (2005); Elisabeth Gießauf (Graz): The Mythopoeic Power of Fish Stink: Michael Crummey's "Galore" (2009) as an Ode to Story-Telling
- Sherrill Grace (Vancouver): 'Turning the page': Timothy Findley's "Pilgrim" (1999)Melanie Braunecker (Klagenfurt): Drilling for Oil with No Holds Barred: Don Gillmor's "Long Change" (2015); Johannes Wally (Graz): Daniel Defoe, Michel Tournier and the Autonomous Subject: Douglas Glover's "Elle" (2003); Sabrina Thom (Graz): "Tell me more! Tell me more!" Sensationalism and Trauma in Rawi Hage's "Cockroach" (2008); Anna Branach-Kallas (Toruń): Ontologies of Disability/Ontologies of Care: Frances Itani's Deseronto Trilogy (2003-2017)
- Brigitte Johanna Glaser (Göttingen): Trauma, Memory, and Art: Frances Itani, "Requiem" (2011)Maria Löschnigg (Graz): Native Ecologies: Thomas King's "The Back of the Turtle" (2014); Silke Jandl (Graz): Trauma, Liminality, and Narrative Voice: Tracey Lindberg's "Birdie" (2015); Maximilian Feldner (Graz): Mystery and Memory: Emily St. John Mandel's "The Lola Quartet" (2012); Martin Löschnigg (Graz): Is There Room for Happiness? Rohinton Mistry, "Family Matters" (2002)
- Dagmara Drewniak (Poznań): "The journey was to be an innocent story ... ": Rites of Passage in Michael Ondaatje's "The Cat's Table" (2011)David Staines (Ottawa): Music in the Air: Madeleine Thien, "Do Not Say We Have Nothing" (2016); Jason Blake (Ljubljana): Strong Voices: Miriam Toews, "A Complicated Kindness" (2004); Marzena Sokołowska-Paryż (Warsaw): "The difficult architecture of a new world": Jane Urquhart, "The Stone Carvers" (2001); Heinz Antor (Cologne): Centrepiece of the Western Trilogy: Guy Vanderhaeghe's "The Last Crossing" (2002)