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|b .F47 2019
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|2 23
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|a UAMI
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|a Ferraiuolo, Augusto,
|e author.
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|a Rites of spontaneity :
|b communality and subjectivity in traditional Irish music sessions /
|c by Augusto Ferraiuolo.
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|a Newcastle upon Tyne, UK :
|b Cambridge Scholars Publishing,
|c 2019.
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|c ©2019
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|a 1 online resource
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|a text
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|a Online resource; title from digital title page (viewed on October 24, 2019).
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|a A room in a pub. Some musicians facing each other. They play well-known traditional Irish tunes on flutes, tin whistles, and fiddles. Every musician plays the melodic line adding her own variations and grace notes. Some musicians are just listening; others are cracking jokes. The crowd nearby is composed of friends, occasional patrons, a regular audience, and curious tourists. Some seem not to care; some come closer to listen or perhaps even participate. This is called a ""session"". From an anthropological point of view, sessions are not just a musical environment. They are a combination of s
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|a Includes bibliographical references (pages 243-265) and index.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Folk music
|z Ireland.
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|a Performance practice (Music)
|z Ireland.
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|a Musique folklorique
|z Irlande.
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|a Pratique de l'exécution (Musique)
|z Irlande.
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|a Folk music.
|2 fast
|0 (OCoLC)fst00929383
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|a Performance practice (Music)
|2 fast
|0 (OCoLC)fst01057874
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|a Ireland.
|2 fast
|0 (OCoLC)fst01205427
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Ferraiuolo, Augusto.
|t Rites of Spontaneity : Communality and Subjectivity in Traditional Irish Music Sessions.
|d Newcastle-upon-Tyne : Cambridge Scholars Publisher, ©2019
|z 9781527539549
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2275585
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH36841432
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|a ProQuest Ebook Central
|b EBLB
|n EBL5962804
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