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EBSCO_on1122790823 |
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OCoLC |
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20231017213018.0 |
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m o d |
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cr cnu---unuuu |
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191010s2019 nyu ob 001 0 eng d |
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|a N$T
|b eng
|e rda
|e pn
|c N$T
|d EBLCP
|d OCLCQ
|d UKAHL
|d OCLCO
|d OCLCQ
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|a 9781438476322
|q (electronic bk.)
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|a 1438476329
|q (electronic bk.)
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|z 9781438476315
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|z 1438476310
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|a (OCoLC)1122790823
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|a ML2075
|b .L36 2019eb
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0 |
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|a 781.5/42
|2 23
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|a UAMI
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100 |
1 |
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|a Lau, Matthew,
|d 1978-
|e author.
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245 |
1 |
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|a Sounds like helicopters :
|b classical music in modernist cinema /
|c Matthew Lau.
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|a Albany :
|b State University of New York Press,
|c [2019]
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a SUNY series, horizons of cinema
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Intro; Contents; Illustrations; Acknowledgments; Introduction: A Fundamental Continuity; "It Scares the Hell Out of the Slopes"; Film Music Studies Newsreel; A Fundamental Continuity; Coming Attractions; Failing Better at Reading Walter Benjamin; Auteurs Say "Fuck It"; 1 What Happens to an Apocalypse Deferred Coppola, Herzog, and Schwarzenegger as Readers of Wagner's Ring; The Usual Way with Wagner; A Helicopter Assault on Cinema's Origins; From Subversive Love to Class Struggle; Herzog's Deferred Apocalypse; Terminating Wagner; Coda: Witchcraft of This Sort
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|a 2 The Imperfect Wagnerite: Luis Buñuel and Romantic Surrealism"An Essential Margin of Nonconformity"; Dreaming Tristan and Isolde; The Golden Age as Its Opposite; Land without Brahms; Handel's Messiah Redeemed; Music and Time in Paradise; Robbing the Bourgeoisie of Their Convictions; Coda: Inviting Chance; 3 "A Film Should Be Like Music": Stanley Kubrick and the Condition of Music; "Something Big That Comes to an End"; What We Talk About When We Talk About Kubrick; Seeing with Your Ears; Music as History; Schubert and Oedipus; The Castrating Spirit of Music; Coda: "Give Up Your Inquiries."
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|a 4 Too Soon, Too Late, and Still to Come: Jean-Luc Godard and the Ruins of Classical MusicThe Intensified Meaning of Fragments; Allegorical Leitmotifs; Music Becoming Cinema; Nonmusical Interlude: Love, Politics, and Cinema Out of Phase; Mozart the Hopeful Monster; Breathless Lenin; Mozart for Farmworkers; Coda: Despair and Hope; 5 Before a Winter's Journey: Michael Haneke's Critique of Film Music in The Piano Teacher; The Origin of Film Music; The Critique of Cinematic Reason; Misquoting Adorno; A Schubertiad in a Sex Shop; Schubert in the Background; The Show Must Not Go On
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|a "Schubert Was Quite Ugly""You Really Are Shameless"; "Love Isn't Everything"; Coda: Music's Vanishing Evocations; Conclusion: Modernist Cinema's Family Tree; Clarification and Astonishment; Nothingness Has Killed Itself; Notes; Works Cited; Index
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Motion picture music
|x History and criticism.
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650 |
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|a Film, Musique de
|x Histoire et critique.
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650 |
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|a Motion picture music.
|2 fast
|0 (OCoLC)fst01027201
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
8 |
|i Print version:
|a Lau, Matthew, 1978-
|t Sounds like helicopters.
|d Albany : State University of New York Press, [2019]
|z 9781438476315
|w (DLC) 2018052658
|w (OCoLC)1083178618
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2267594
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38701233
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5928337
|
938 |
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|a EBSCOhost
|b EBSC
|n 2267594
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994 |
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|a 92
|b IZTAP
|