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Sounds like helicopters : classical music in modernist cinema /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lau, Matthew, 1978- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, [2019]
Colección:SUNY series, horizons of cinema
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Sounds like helicopters :  |b classical music in modernist cinema /  |c Matthew Lau. 
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490 0 |a SUNY series, horizons of cinema 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Intro; Contents; Illustrations; Acknowledgments; Introduction: A Fundamental Continuity; "It Scares the Hell Out of the Slopes"; Film Music Studies Newsreel; A Fundamental Continuity; Coming Attractions; Failing Better at Reading Walter Benjamin; Auteurs Say "Fuck It"; 1 What Happens to an Apocalypse Deferred Coppola, Herzog, and Schwarzenegger as Readers of Wagner's Ring; The Usual Way with Wagner; A Helicopter Assault on Cinema's Origins; From Subversive Love to Class Struggle; Herzog's Deferred Apocalypse; Terminating Wagner; Coda: Witchcraft of This Sort 
505 8 |a 2 The Imperfect Wagnerite: Luis Buñuel and Romantic Surrealism"An Essential Margin of Nonconformity"; Dreaming Tristan and Isolde; The Golden Age as Its Opposite; Land without Brahms; Handel's Messiah Redeemed; Music and Time in Paradise; Robbing the Bourgeoisie of Their Convictions; Coda: Inviting Chance; 3 "A Film Should Be Like Music": Stanley Kubrick and the Condition of Music; "Something Big That Comes to an End"; What We Talk About When We Talk About Kubrick; Seeing with Your Ears; Music as History; Schubert and Oedipus; The Castrating Spirit of Music; Coda: "Give Up Your Inquiries." 
505 8 |a 4 Too Soon, Too Late, and Still to Come: Jean-Luc Godard and the Ruins of Classical MusicThe Intensified Meaning of Fragments; Allegorical Leitmotifs; Music Becoming Cinema; Nonmusical Interlude: Love, Politics, and Cinema Out of Phase; Mozart the Hopeful Monster; Breathless Lenin; Mozart for Farmworkers; Coda: Despair and Hope; 5 Before a Winter's Journey: Michael Haneke's Critique of Film Music in The Piano Teacher; The Origin of Film Music; The Critique of Cinematic Reason; Misquoting Adorno; A Schubertiad in a Sex Shop; Schubert in the Background; The Show Must Not Go On 
505 8 |a "Schubert Was Quite Ugly""You Really Are Shameless"; "Love Isn't Everything"; Coda: Music's Vanishing Evocations; Conclusion: Modernist Cinema's Family Tree; Clarification and Astonishment; Nothingness Has Killed Itself; Notes; Works Cited; Index 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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