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The brand of print : marketing paratexts in the early English book trade /

"The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedicatio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Silva, Andie, 1984- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2020]
Colección:Library of the written word ; 76.
Library of the written word. Handpress world ; 58.
Temas:
Acceso en línea:Texto completo

MARC

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007 cr cnu---unuuu
008 190912s2020 ne a ob 001 0 eng
010 |a  2019026934 
040 |a DLC  |b eng  |e rda  |e pn  |c DLC  |d OCLCO  |d EBLCP  |d OCLCQ  |d OCLCF  |d YDX  |d OCLCO  |d OCLCQ  |d N$T  |d OCLCO  |d K6U  |d OCLCQ  |d OCLCO 
020 |a 9004410244  |q (electronic book) 
020 |a 9789004410244  |q (electronic bk.) 
020 |z 9789004410237  |q (hardcover  |q acid-free paper) 
035 |a (OCoLC)1120907181 
042 |a pcc 
043 |a e-uk-en 
050 0 4 |a Z330.3.E5  |b S56 2020 
082 0 0 |a 381/.450020942  |2 23 
049 |a UAMI 
100 1 |a Silva, Andie,  |d 1984-  |e author. 
245 1 4 |a The brand of print :  |b marketing paratexts in the early English book trade /  |c by Andie Silva. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2020] 
300 |a 1 online resource (250 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Library of the written word,  |x 1874-4834 ;  |v volume 76 
490 1 |a The handpress world ;  |v volume 58 
504 |a Includes bibliographical references and index. 
520 |a "The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedications, illustrating how the agents of print branded their markets by crafting relationships with readers and articulating the value of their labor in an increasingly competitive trade. Applying terms from contemporary marketing theory to the study of early modern paratexts, Andie Silva encourages a consideration of how print agents' labor and agency, made visible through paratextual design, continues to influence how we read, study, and digitize early modern texts"--  |c Provided by publisher. 
505 0 |a Intro; The Brand of Print: Marketing Paratexts in the Early English Book Trade; Copyright; Contents; Acknowledgements; List of Illustrations; Abbreviations; Transcription and Editorial Practice; Introduction; 1 ""In Sundry Hands"": Patronage, Human Capital, and Print Agents as Tastemakers; 1 Cultural Capital and Luxury Consumption; 2 ""My Present a Book; 3 Quality Control; 4 Devotion as Prestigious Brand Identity; 5 Exclusive Popularity; 2 ""Read, Reape, and Returne"": Emotional Branding and the Profit of Reading; 1 Affective Marketing and Labour as Capital 
505 8 |a 2 ""My Paines and Charges"": Articulating the Labour of the Press3 ""Purchase Praise"": Richard Jones's Brand Personality; 3 ""Before thou begynneth to read"": Visual Consumption as Brand; 1 The Structure of Protestant Devotion; 2 Adam Islip's Visual Signposting and Multimodal Designs; 3 Thomas Archer's Visual Branding Strategies; 4 ""An Instrument of Iron"": Commodifying Gender and Devotion with Emotional Capital in Queen Elizabeth's A Godly Meditation of the Soul; 1 Gendered Commodities: Religious and Emotional Capital; 2 Bale's 1548 Edition: Commodifying the Religious Experience 
505 8 |a 3 Religious Identity and Self-Marketing: James Cancellar's 1580 Edition4 Religion in the Household: Thomas Bentley's Monument of Matrons; 5 Seventeenth-Century Markets: The Capital of Household Devotion; 5 ""Printed in Utopia"": Marketing Genre across a Century; 1 Cultural Branding and Utopia; 2 Creating a National Brand: Abraham Vele, Thomas Creede, and Bernard Alsop's Editions; 3 Generic Cultural Branding; 6 Immaterial Labour, Mass Intellectuality, and the New Digital Agents; 1 Researching Paratexts and Print Agents; 2 Immaterial Labour, User-Experiences, and Credit Structures; Conclusion. 
588 0 |a Online resource; title from digital title page (viewed on November 12, 2019). 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Book industries and trade  |z England  |x History  |y 16th century. 
650 0 |a Book industries and trade  |z England  |x History  |y 17th century. 
650 0 |a Paratext  |z England  |x History. 
650 0 |a Books  |z England  |x Marketing  |x History. 
650 6 |a Livres  |x Industrie  |z Angleterre  |x Histoire  |y 16e siècle. 
650 6 |a Livres  |x Industrie  |z Angleterre  |x Histoire  |y 17e siècle. 
650 6 |a Paratexte  |z Angleterre  |x Histoire. 
650 7 |a Book industries and trade  |2 fast 
650 7 |a Books  |x Marketing  |2 fast 
650 7 |a Paratext  |2 fast 
651 7 |a England  |2 fast 
648 7 |a 1500-1699  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Silva, Andie, 1984-  |t Brand of print.  |d Leiden ; Boston : Brill, [2019]  |z 9789004410237  |w (DLC) 2019026933 
830 0 |a Library of the written word ;  |v 76. 
830 0 |a Library of the written word.  |p Handpress world ;  |v 58. 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2266996  |z Texto completo 
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938 |a EBSCOhost  |b EBSC  |n 2266996 
994 |a 92  |b IZTAP